The Industrial Arts in Spain

audiobook

The Industrial Arts in Spain

by Juan F. (Juan Facundo) Riaño

EN·~7 hours·14 chapters

Chapters

14 total
1

[](https://www.gutenberg.org/images/cover_lg.jpg)

0:41
2

THE INDUSTRIAL ARTS IN SPAIN.

0:14
3

ILLUSTRATIONS.

3:00
4

SPANISH INDUSTRIAL ART.

0:01
5

GOLD AND SILVER WORK.

1:27:22
6

IRON WORK.

19:04
7

BRONZES.

15:51
8

ARMS.

46:48
9

FURNITURE.

31:41
10

IVORIES.

25:18

Description

Filled with richly detailed woodcut plates, this handbook offers a survey of Spain’s historic industrial crafts as they appear in museum collections. Drawing on the author's earlier catalogue of Spanish objects in the South Kensington Museum, it walks the listener through a wide variety of metal, ivory, glass, and ceramic works, from medieval chalices and Moorish daggers to later porcelain and tapestry. The textual notes explain the materials, techniques, and cultural influences that shaped each piece, while the accompanying illustrations bring the objects to life.

A particular focus is placed on gold and silver work, tracing the legacy of ancient Phoenician and Roman mining to the flourishing silversmithing of the Renaissance. The author relates contemporary accounts, such as those of Ambrosio de Morales and Velázquez, to specific examples like an Iberian‑inscribed silver bowl preserved in Córdoba. Listeners will come away with a vivid sense of how Spain’s industrial arts reflect both regional traditions and broader European trends.

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Details

Language

en

Duration

~7 hours (440K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)

Release date

2012-05-03

Rights

Public domain in the USA.

About the author

Juan F. (Juan Facundo) Riaño

Juan F. (Juan Facundo) Riaño

1829–1901

A leading 19th-century Spanish art historian, Arabist, and museum scholar, he helped bring serious attention to Spain’s decorative arts at home and abroad. His work moved between research, public service, and cultural preservation.

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