
audiobook
by Mariia Bochkareva, Isaac Don Levine
INTRODUCTION
Part OneYOUTH
Part TwoWAR
Part ThreeREVOLUTION
Part FourTERROR
Transcriber’s Notes
In the summer of 1917 a young Russian peasant named Maria Botchkareva burst onto the world stage, founding the famed “Battalion of Death” and drawing frantic attention from journalists worldwide. The headlines painted her as a daring soldier seeking revenge for a lost husband, but those stories were often built on misunderstanding and translation errors. This memoir offers the first unfiltered account, letting Botchkareva speak directly about the moment she chose to lead women into battle.
The author spent three weeks recording Botchkareva’s recollections in Russian, transcribing them verbatim into English to preserve her voice and extraordinary memory. In these candid conversations she reveals a deeper, personal drive—an unwavering desire to free Russia from foreign oppression—rather than the sensationalist motives the press invented. Listeners will be drawn into the raw honesty of a woman whose courage, compassion, and resilience echo the legends of Joan of Arc while remaining unmistakably her own.
Language
en
Duration
~9 hours (565K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Constable and Company Limited, 1919.
Credits
The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2023-03-06
Rights
Public domain in the USA.

1889–1920
A peasant-born Russian soldier who pushed past every barrier in wartime and became one of the most remarkable women of the First World War. Best known for creating the Women's Battalion of Death, she later told her story in a memoir that still reads with urgency and grit.
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1892–1981
A Russian-born American journalist and sharp-eyed commentator on Soviet affairs, he turned firsthand knowledge of revolution and exile into books and reporting that shaped Cold War-era debates. His work often brought big political dramas down to the level of vivid human stories.
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