
audiobook
Transcriber's note:
PREFACE.
I.—Definitions, Description, and Origin.
II.—Dispersion of the Swastika.
III.—Forms Allied to the Swastika.
IV.—The Cross Among the American Indians.
V.—Significance of the Swastika.
VI.—The Migration of Symbols.
VII.—Prehistoric Objects associated with the Swastika, found in both Hemispheres, and believed to have passed by Migration.
VIII.—Similar Prehistoric Arts, Industries, and Implements in Europe and America as Evidence of the Migration of Culture.
In this detailed study, the author traces the history of a single geometric motif that appears on artifacts from Bronze‑age Europe to ancient Asian temples. Drawing on the extensive collections of the United States National Museum, the work catalogues hundreds of examples—bronze plaques, pottery, coins, and even shell carvings—while carefully noting regional variations in shape and orientation. The opening sections define the symbol, explore its earliest known occurrences, and set the stage for a global survey of its diffusion.
The survey then follows the motif across continents, examining its presence in the Classical Orient, the Indian subcontinent, and far‑flung societies of pre‑Columbian North and South America. By comparing decorative patterns on tools, textiles, and ceremonial objects, the author illustrates how ideas and crafts migrated alongside the symbol itself. Readers gain a nuanced picture of how a simple cross‑like design could acquire diverse meanings while hinting at ancient networks of trade and cultural exchange.
Full title
The Swastika, the Earliest Known Symbol, and Its Migration With Observations on the Migration of Certain Industries in Prehistoric Times With Observations on the Migration of Certain Industries in Prehistoric Times
Language
en
Duration
~10 hours (607K characters)
Publisher of text edition
Project Gutenberg
Credits
Marilynda Fraser-Cunliffe and the Online Distributed Proofreading Team
Release date
2012-09-21
Rights
Public domain in the USA.

1832–1902
A Smithsonian archaeologist and anthropologist, he wrote lively, wide-ranging studies on prehistoric art, symbols, tools, and folklore. His work helped bring late-19th-century archaeology to a broad reading public.
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