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  • The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.
The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.

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The laws of contrast of colour : $b and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening, &c.

by M. E. (Michel Eugène) Chevreul

EN·~6 hours·15 chapters

Chapters

15 total
1

THE LAWS OF CONTRAST OF COLOUR:

16:26
2

THE LAWS OF Harmony and Contrast of Colours.

0:02
3

INTRODUCTION.

4:52
4

PART THE FIRST.

43:35
5

PART THE SECOND.

58:31
6

FIRST DIVISION.—IMITATION OF COLOURED OBJECTS WITH COLOURED MATERIALS IN A STATE OF INFINITE DIVISION. - INTRODUCTION.

29:01
7

SECTION III.ON COLOURING IN PAINTING. - CHAPTER I.On Colouring.

26:53
8

SECOND DIVISION.— Imitation of Coloured Objects by Materials of a Definite Size, as Threads, &c.

24:20
9

THIRD DIVISION.—Colour Printing. - ON CALICO-PRINTING, AND PRINTING PAPER-HANGINGS.

30:42
10

FOURTH DIVISION. Employment of Colours in Architecture. - I. ON THE EMPLOYMENT OF COLOURS IN EGYPTIAN ARCHITECTURE.

43:01

Description

A meticulous guide to the way colours influence one another, this work begins by laying out the law of simultaneous contrast through clear experiments and definitions. It explains how adjoining hues—whether paired with white, black, or gray—alter perception, and it distinguishes this effect from successive and mixed contrast. The author backs each principle with practical demonstrations, showing how the eye responds to various juxtapositions of pigment.

Beyond theory, the book turns to everyday artistic pursuits, offering step‑by‑step advice for painters, tapestry weavers, and calico printers. It extends the principles to architecture, clothing, and garden design, suggesting harmonious palettes for walls, fabrics, and flower beds. Readers gain a toolbox of colour‑mixing rules and visual tricks that can be applied instantly to improve the balance and vibrancy of any creative project.

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Details

Language

en

Duration

~6 hours (394K characters)

Release date

2025-09-27

Rights

Public domain in the USA.

Subjects

About the author

ME

M. E. (Michel Eugène) Chevreul

1786–1889

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