The Florentine Painters of the Renaissance With An Index To Their Works

audiobook

The Florentine Painters of the Renaissance With An Index To Their Works

by Bernard Berenson

EN·~5 hours·6 chapters

Chapters

6 total
1

Portrait of a Lady.

0:06
2

THE FLORENTINE PAINTERS OF THE RENAISSANCE

0:31
3

PREFACE TO THIRD EDITION

1:21
4

PREFACE TO THE SECOND EDITION

1:27
5

THE FLORENTINE PAINTERS OF THE RENAISSANCE - I.

1:48:33
6

INDEX TO THE WORKS OF THE PRINCIPAL FLORENTINE PAINTERS.

3:10:54

Description

The volume offers a sweeping survey of Florentine painting from the time of Giotto up to Michelangelo, charting the careers of well‑known masters such as Masaccio, Leonardo and Botticelli while also rescuing the reputations of forgotten figures like Jacopo del Sellajo and Amico di Sandro. Updated for the third edition, it adds newly‑attributed works, fresh research on Pietro Cavallini, and an expanded index that lets listeners locate any artist or artwork with ease. The author’s careful attributions are grounded in recent scholarship, and he explains the tangled histories that once led to misidentifications.

Beyond a catalogue, the text reads like a conversation with the creators themselves, noting how each painter also worked as sculptor, architect, poet or scientist. This holistic view shows why Florentine art feels like a living laboratory of ideas, making the book an engaging companion for anyone eager to hear the stories behind the canvases.

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Details

Full title

The Florentine Painters of the Renaissance With An Index To Their Works With An Index To Their Works

Language

en

Duration

~5 hours (290K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2005-12-28

Rights

Public domain in the USA.

About the author

Bernard Berenson

Bernard Berenson

1865–1959

A brilliant and controversial expert on Italian Renaissance art, he helped shape the way generations of readers and collectors looked at paintings. His writing brought scholarship and personal response together in a way that still feels lively.

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