
THE EARLIER WORK OF TITIAN - By - CLAUDE PHILLIPS - Keeper of the Wallace Collection
LIST OF ILLUSTRATIONS
THE EARLIER WORK OF TITIAN - INTRODUCTION
CHAPTER I - Cadore and Venice—Early Giorgionesque works up to the date of the residence in Padua—New interpretations of Giorgione's and Titian's pictures.
CHAPTER II
CHAPTER III - The "Worship of Venus" and "Bacchanal" Place in Art of the "Assunta"—The "Bacchus and Ariadne"—So-called Portraits of Alfonso of Ferrara and Laura Dianti—The "St. Sebastian" of Brescia—Altar-pieces at Ancona and in the Vatican—The "Entombment" of the Louvre—The "Madonna di Casa Pesaro"—Place among Titian's works of "St. Peter Martyr."
INDEX
This volume offers a clear, gently paced exploration of Titian’s formative years, guiding listeners through the painter’s early experiments with colour, composition, and narrative. The author places the Venetian master within the broader currents of sixteenth‑century Italian art, drawing thoughtful comparisons without resorting to grandiose claims. By focusing on the first half of Titian’s career, the narrative remains rooted in the works that first established his reputation.
Accompanying the commentary are dozens of vivid illustrations, from the delicate “Madonna with the Cherries” to the dramatic “St. Peter Martyr,” each described in context to reveal the techniques behind their lasting appeal. Listeners will hear vivid accounts of how Titian blended sacred solemnity with a naturalistic touch, and how his portraiture began to capture both status and personality. The result is an informative, visual‑rich journey that brings the early genius of Titian to life for anyone curious about the roots of his enduring legacy.
Language
en
Duration
~3 hours (175K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-06-01
Rights
Public domain in the USA.

1846–1924
A leading British art critic and historian of the late Victorian and Edwardian era, he helped shape how museum visitors and newspaper readers understood European painting. He is especially remembered for guiding the Wallace Collection in its early public years and for writing clearly about the Old Masters.
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