
audiobook
REFLECTIONS ON THE PAINTING AND SCULPTURE OF THE GREEKS.
TO The Lord Scarsdale.
ON THE IMITATION OF THE Painting and Sculpture of the GREEKS. - I. Nature.
A LETTER, CONTAINING OBJECTIONS AGAINST The foregoing Reflexions.
AN ACCOUNT OF A MUMMY, IN The Royal Cabinet of Antiquities at Dresden.
AN ANSWER TO THE FOREGOING LETTER, AND A further Explication of the Subject.
INSTRUCTIONS FOR THE CONNOISSEUR.
ON GRACE.
ERRATA.
A learned yet lively 18th‑century essay brings the splendor of ancient Greek painting and sculpture into modern earshot. Presented as a translation from the German original, the author writes to a gracious patron while guiding listeners through the very foundations of classical taste—how climate, mythic ideals and disciplined youth forged a visual language that still informs today’s art. The work balances scholarly observation with a warm, conversational tone that makes the distant world of Phidias, Polykleitos and Laocoön feel almost tangible.
In the first act the writer argues that true mastery lies in sincere imitation of the ancients, drawing vivid parallels between Greek virtues and the practices of later masters such as Michelangelo and Raphael. He explores the notion of “grace” as something beyond mere nature, an elevated beauty born of disciplined training and ideal form. Listeners will enjoy rich anecdotes about heroic youths, artistic pilgrimages to Greece, and the subtle differences that separate a Roman copy from its Greek prototype, all offered as gentle instruction for the aspiring connoisseur.
Language
en
Duration
~3 hours (228K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-02-04
Rights
Public domain in the USA.

1717–1768
Often called a founder of modern art history, this German scholar changed how Europe looked at ancient Greek and Roman art. His writing helped shape Neoclassicism and made beauty, style, and historical context central to the study of art.
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