
The Fascination of Irish Glass
Glass Factories in Ireland
WALL AND TABLE LIGHTS.
CHANDELIER DROPS, PENDANTS, AND ORNAMENTS.
The Characteristics of Irish Glass
Fakes
The Increasing Popularity of Irish Glass
ILLUSTRATIONS
BOWLS, DISHES, PLATES AND TAZZE
CANDELABRA, CANDLESTICKS AND CHANDELIERS
The appeal of old Irish glass lies in its rich hues and the velvety feel that sets it apart from its European counterparts. Though glassmaking in Ireland was only a modest activity in the Middle Ages, by the late sixteenth century local craftsmen were already producing windows, coloured panes, and drinking vessels. Contemporary records from 1332 and a 1585 patent hint at a growing confidence that would soon blossom into a distinct industry.
By the mid‑eighteenth century Irish glass reached a peak, rivaling the finest English and continental wares, only to be crippled by an 1788 export ban that forced producers to sell domestically. The early pieces were often dark‑toned, a trait the Waterford factories eventually lightened after 1830, yet the original deep colours have become legendary among collectors. Many of these historic goblets and bottles still lie hidden in the attics of old country houses, waiting to be discovered.
Language
en
Duration
~57 minutes (54K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Chris Jordan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
May 3, 2014
Rights
Public domain in the USA.
A lively early-20th-century writer on antiques and glass, she is best known for Old Irish Glass, a guide that helped popularize the history and appeal of Irish glassware. She was also active in glass design and production, linking scholarship with hands-on craft.
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