
audiobook
by Viscountess Marianne Margaret Compton Cust Alford
Transcriber's Note
LADY M. ALFORD
PREFACE.
LIST OF ILLUSTRATIONS. - CUTS.
NEEDLEWORK AS ART. - INTRODUCTION.
CHAPTER I. - STYLE.
CHAPTER II. - DESIGN.
CHAPTER III. - PATTERNS.
CHAPTER IV. - MATERIALS. - 1. RAW MATERIALS.
CHAPTER V. - COLOUR.
In this richly illustrated study, the author lifts needlework from the margins of decorative arts and places it alongside painting and sculpture. Drawing on sources from Europe and the East, she traces the evolution of embroidery styles, from early religious panels to the opulent hangings of the Victorian era. The opening pages lay out a clear argument that embroidery demands the same understanding of form, colour, and composition as any fine art.
Readers will find separate discussions of design principles, stitch techniques, and the chemistry of dyes, each treated with both historical context and practical insight. By comparing English traditions with continental influences, the work highlights how cultural exchange shaped motifs and materials. Whether a seasoned crafter or a curious historian, the book offers a roadmap for appreciating and advancing the aesthetic potential of modern needlework.
Language
en
Duration
~11 hours (668K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Julia Miller, jenniemuse, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2009-11-14
Rights
Public domain in the USA.
Subjects

1817–1888
Best known as Lady Marian Alford, she was an English artist, art patron, and author who helped bring serious attention to embroidery and decorative art in Victorian Britain. Her writing on needlework treated it not as a minor pastime, but as an art form worthy of study and respect.
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