
FRANC-NOHAIN
A strange, entirely imagined province unfurls like a bureaucratic map drawn in ink, not on land but in the minds of its officials. Here the landscape consists of a prefecture, a treasury, a bank branch, a grand street, a promenade, and a railway station, each duplicated across an invisible terrain. The inhabitants are neatly divided into four ranks—nobility, military, merchants, and civil servants—who meet on the same tennis courts and croquet lawns, their social games mirroring the absurd hierarchy of the state.
The narrative follows a handful of characters navigating this artificial world, where every building repeats and every ritual reinforces the illusion of progress toward Paris. Their daily rituals expose the hollow pomp of institutions that have no history, no geography, only a collective dream of belonging to the capital. As the story unfolds, the satire sharpens, revealing how the pursuit of status can render a whole country a facsimile of paperwork, leaving listeners to wonder where the real borders lie.
Language
fr
Duration
~5 hours (308K characters)
Publisher of text edition
Project Gutenberg
Original publisher
France: La revue blanche, 1901.
Credits
Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica))
Release date
2022-08-25
Rights
Public domain in the USA.
Subjects

1873–1934
Best remembered for the witty libretti behind Maurice Ravel’s L'heure espagnole and several operettas by Claude Terrasse, this French writer moved easily between poetry, journalism, and musical theater. His work helped shape the playful, satirical spirit of French stage writing around the turn of the 20th century.
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