La nouvelle cuisinière bourgeoise: Plaisirs de la table et soucis du ménage

audiobook

La nouvelle cuisinière bourgeoise: Plaisirs de la table et soucis du ménage

by Franc-Nohain

FR·~2 hours·5 chapters

Chapters

5 total

LA NOUVELLE CUISINIÈRE BOURGEOISE

0:34

AVANT-PROPOS

5:17

LIVRE I LES PLAISIRS DE LA TABLE

1:16:33

LIVRE II LES SOUCIS DU MÉNAGE

51:39

TABLE DES MATIÈRES

3:13

Description

In this early‑twentieth‑century work the author presents a witty meditation on the pleasures of the table and the inevitable chores that accompany them. Rather than a conventional cookbook, the text reads like a social essay, aimed at the respectable middle‑class household that balances ambition with everyday practicality. The writer openly declares a moral purpose, warning readers that the joys of dining are inseparable from the burdens of keeping a home in order.

Through a blend of lyrical observations, gentle satire, and practical anecdotes, the book explores how a well‑run kitchen reflects the health of a family and the stability of society. It addresses everything from the modest bachelor’s cramped kitchen to the aspirations of a newly married couple eager to transform a humble space into a “cathedral” of hospitality. Listeners will appreciate the elegant prose that treats ordinary chores as opportunities for personal discipline and cultural refinement.

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Details

Language

fr

Duration

~2 hours (131K characters)

Publisher of text edition

Project Gutenberg

Credits

Laurent Vogel and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

2021-11-30

Rights

Public domain in the USA.

About the author

Franc-Nohain

Franc-Nohain

1873–1934

Best remembered for the witty libretti behind Maurice Ravel’s L'heure espagnole and several operettas by Claude Terrasse, this French writer moved easily between poetry, journalism, and musical theater. His work helped shape the playful, satirical spirit of French stage writing around the turn of the 20th century.

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