
audiobook
by Joseph Breck, Harry B. (Harry Brandeis) Wehle
Handbook of the Minneapolis Institute of Arts
Illustrations
THE MINNEAPOLIS SOCIETY OF FINE ARTS
OFFICERS AND MEMBER OF THE BOARD OF TRUSTEES
TRUSTEES
PREFACE
THE MINNEAPOLIS INSTITUTE OF ARTS
GENERAL INFORMATION
CLASSES OF MEMBERSHIP
PLAN OF THE FIRST FLOOR
A compact, illustrated guide walks listeners through the Minneapolis Institute of Arts as it appeared in the early twentieth century. Simple floor plans map the first and second levels, while brief descriptions point out the layout of key rooms—from the South Hall of Renaissance casts to the Print Study Room and the east corridor of Greek and Roman sculptures.
The book showcases a striking variety of objects, ranging from Rembrandt etchings and Whistler dry‑points to Japanese cloisonné and Ming‑dynasty porcelain. It also brings ancient cultures into view, with Egyptian mummies, Babylonian tablets, Persian woodwork, and a selection of medieval European tapestries. Each entry is paired with a clear photograph, letting listeners picture the artwork while learning its basic provenance and date.
Published in 1917, this handbook captures a moment in museum history, offering a nostalgic snapshot of how art was organized and presented to the public. For anyone curious about the breadth of the collection, the narration provides a vivid, room‑by‑room tour that brings the museum’s treasures to life.
Full title
Handbook of the Minneapolis Institute of Arts With 143 Illustrations With 143 Illustrations
Language
en
Duration
~2 hours (162K characters)
Publisher of text edition
Project Gutenberg
Release date
2011-02-13
Rights
Public domain in the USA.

1885–1933
A gifted museum curator and art historian, he helped shape the study and display of decorative and medieval art in the United States. His work at the Metropolitan Museum of Art and the early Cloisters left a lasting mark despite a life cut short at just 48.
View all books1887–1969
A longtime Metropolitan Museum of Art curator, this writer brought European painting and American portrait miniatures to a wide general audience through clear, accessible books. His work bridges scholarship and museum storytelling, especially in studies of old master and American art.
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