Engraving: Its Origin, Processes, and History

audiobook

Engraving: Its Origin, Processes, and History

by comte Henri Delaborde

EN·~6 hours·17 chapters

Chapters

17 total

THE FINE-ART LIBRARY. EDITED BY JOHN C. L. SPARKES Principal of the National Art Training School, South Kensington Museum.

0:07

Engraving: Its Origin, Processes, and History.

0:17

EDITORIAL NOTE.

0:36

Engraving.

0:00

CHAPTER I.

32:23

CHAPTER II.

19:23

CHAPTER III.

31:46

CHAPTER IV.

34:07

CHAPTER V.

27:23

CHAPTER VI.

26:16

Description

This volume offers a clear, illustrated journey through the long‑standing art of engraving, beginning with its earliest appearances in ancient Egypt, Greece and the biblical world. The author explains how the simple act of incising lines on metal or stone evolved into the sophisticated techniques of copper‑plate and relief printing that defined the Renaissance and later eras. Readers will come away with a solid grasp of the two main processes—drawing a design that is later raised for ink transfer, and cutting directly into a surface to hold the ink itself.

An extra chapter devoted to English engraving adds a valuable regional perspective, tracing the rise of the British school and providing a handy chronological table of noteworthy artists. Practical details about materials, tools such as the burin, and the step‑by‑step workflow make the book useful for both historians and hobbyists. The blend of historical narrative and hands‑on instruction keeps the tone engaging without sacrificing scholarly depth.

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Details

Language

en

Duration

~6 hours (400K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2013-06-13

Rights

Public domain in the USA.

About the author

comte Henri Delaborde

comte Henri Delaborde

1811–1899

A French painter who became an influential art critic and museum figure, he helped shape how 19th-century France studied prints and fine art. His career moved from making historical paintings to preserving, writing about, and organizing art at the highest level.

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