
audiobook
by Amor Fenn
(etext transcriber's note)
DESIGN AND TRADITION
AUTHOR’S PREFACE
LIST OF ILLUSTRATIONS
CHAPTER I INTRODUCTORY
CHAPTER II HISTORIC REVIEW
CHAPTER III MOULDINGS
CHAPTER IV ARCHITECTURAL PROPORTIONS - Introduction
CHAPTER V DIVISION OF SURFACE
CHAPTER VI DEVELOPMENT OF CONVENTIONAL ORNAMENT
The book offers a clear‑sighted look at how historic styles shape today’s architectural and decorative practice. Beginning with a thoughtful preface, it argues that modern demand for beautiful surroundings makes a grounding in tradition more valuable than ever, especially for artists and designers seeking a solid foundation. By tracing the evolution of key principles—from ancient Egyptian temples to early Renaissance palaces—the author shows how recurring ideas can guide contemporary work without stifling creativity.
Richly illustrated with sketches, photographs, and measured drawings, the text walks readers through the defining features of each period, from the bold columns of the Parthenon to the intricate tracery of Gothic vaults. Practical sections on architectural details and design methodology make it useful for students, craftsmen, and anyone curious about the logic behind built beauty. Throughout, the tone remains approachable, inviting listeners to see past eras as a living resource for today’s artistic challenges.
Full title
Design and Tradition A short account of the principles and historic development of architecture and the applied arts A short account of the principles and historic development of architecture and the applied arts
Language
en
Duration
~6 hours (398K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2016-12-31
Rights
Public domain in the USA.
A designer and writer from the Arts and Crafts era, he wrote practical books that helped students and makers understand pattern, ornament, and the history behind good design. His work still appeals to readers interested in how decoration, architecture, and craftsmanship fit together.
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