Der Parasit, oder, die Kunst sein Glück zu machen Ein Lustspiel nach dem Franzoesischen [des Picard]

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Der Parasit, oder, die Kunst sein Glück zu machen Ein Lustspiel nach dem Franzoesischen [des Picard]

by Friedrich Schiller, L.-B. (Louis-Benoît) Picard

DE·~2 hours·4 chapters

Chapters

4 total

Part 1

31:45

Part 2

31:21

Part 3

31:45

Part 4

29:40

Description

Set in the bustling offices of a Parisian minister, the play opens with the restless Lieutenant Karl Firmin bursting in, convinced he has finally found the woman he has been chasing across the city. He reveals that Charlotte, the beautiful daughter of the new minister Narbonne, has captured his heart, and he is ready to risk everything for a chance at her hand. His father, the seasoned yet modest Firmen, listens with a mixture of amusement and concern, warning his son about the perils of youthful passion.

Meanwhile, the seasoned bureaucrats Selicour and La Roche loom in the background, embodying the petty intrigues and patronage that dominate court life. Through sharp banter, the characters expose the tension between love, ambition, and the desire to rise above mediocrity. The stage is set for a lively comedy of errors, where sincere affection collides with the cunning machinations of a self‑servicing administration.

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Details

Full title

Der Parasit, oder, die Kunst sein Glück zu machen Ein Lustspiel nach dem Franzoesischen [des Picard] Ein Lustspiel nach dem Franzoesischen [des Picard]

Language

de

Duration

~2 hours (119K characters)

Publisher of text edition

Project Gutenberg

Release date

Sep 1, 2004

Rights

Public domain in the USA.

About the authors

Friedrich Schiller

Friedrich Schiller

1759–1805

A bold voice of German literature, Friedrich Schiller fused gripping drama with big questions about freedom, morality, history, and art. His work helped shape the intellectual and theatrical culture of Weimar’s golden age.

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L.-B. (Louis-Benoît) Picard

L.-B. (Louis-Benoît) Picard

1769–1828

A lively figure of French theater during and after the Revolution, he wrote comedies that caught the manners and ambitions of his time. He was also an actor and theater director, giving him a rare feel for how plays lived on the stage.

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