Der Parasit, oder, die Kunst sein Glück zu machen Ein Lustspiel nach dem Franzoesischen [des Picard]

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Der Parasit, oder, die Kunst sein Glück zu machen Ein Lustspiel nach dem Franzoesischen [des Picard]

by Friedrich Schiller, L.-B. (Louis-Benoît) Picard

DE·~2 hours·4 chapters

Chapters

4 total

Part 1

31:45

Part 2

31:21

Part 3

31:45

Part 4

29:40

Description

Set in the bustling offices of a Parisian minister, the play opens with the restless Lieutenant Karl Firmin bursting in, convinced he has finally found the woman he has been chasing across the city. He reveals that Charlotte, the beautiful daughter of the new minister Narbonne, has captured his heart, and he is ready to risk everything for a chance at her hand. His father, the seasoned yet modest Firmen, listens with a mixture of amusement and concern, warning his son about the perils of youthful passion.

Meanwhile, the seasoned bureaucrats Selicour and La Roche loom in the background, embodying the petty intrigues and patronage that dominate court life. Through sharp banter, the characters expose the tension between love, ambition, and the desire to rise above mediocrity. The stage is set for a lively comedy of errors, where sincere affection collides with the cunning machinations of a self‑servicing administration.

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Details

Full title

Der Parasit, oder, die Kunst sein Glück zu machen Ein Lustspiel nach dem Franzoesischen [des Picard] Ein Lustspiel nach dem Franzoesischen [des Picard]

Language

de

Duration

~2 hours (119K characters)

Publisher of text edition

Project Gutenberg

Release date

2004-09-01

Rights

Public domain in the USA.

About the authors

Friedrich Schiller

Friedrich Schiller

1759–1805

A central voice of German literature, he wrote bold dramas and poems that still feel urgent, idealistic, and intensely human. His work helped shape the era of Weimar Classicism and remains closely linked with ideas of freedom, beauty, and moral courage.

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L.-B. (Louis-Benoît) Picard

L.-B. (Louis-Benoît) Picard

1769–1828

A lively figure of post-Revolutionary French theater, this playwright, actor, and director built a career across the stage and the page. He was also elected to the Académie française, a sign of the literary standing he achieved in his lifetime.

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