
audiobook
by San Francisco Museum of Art, Phyllis Ackerman
EUROPEAN TAPESTRIES
PREFACE
ILLUSTRATIONS
INTRODUCTION AN HISTORICAL AND CRITICAL SURVEY OF THE ART OF TAPESTRY WEAVING
CATALOGUE
BIBLIOGRAPHY
SUBJECT & TITLE INDEX
This audio guide walks you through a landmark early‑20th‑century exhibition that assembled, for the first time in America, a continuous survey of European tapestry from the 14th through the early 19th centuries. Curated by a museum scholar, the catalogue frames each work within the broader currents of art history, showing how the craft evolved alongside painting and architecture. Listeners will hear the ambitious goal of bringing these woven masterpieces out of the shadow of oil‑painted canvases and into clear focus.
The collection spans the famed looms of France, Flanders, Germany, Spain, England and Russia, presenting everything from allegorical myth scenes to intimate still‑lifes. Highlights include two rare Fontainebleau pieces, an unusually complete Gothic series, and scarce Spanish and Russian examples that rarely leave their home institutions. Each entry is accompanied by scholarly notes on design, technique, and the cultural stories that the silk and wool threads once narrated, helping listeners picture the texture and colour that survive only in the fabric itself.
Language
en
Duration
~2 hours (164K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Jane Robins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2018-07-16
Rights
Public domain in the USA.
Subjects
An early San Francisco art institution, this name appears on exhibition catalogs and museum publications tied to the city’s modern art scene. It is best known today as the earlier name associated with what became the San Francisco Museum of Modern Art.
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1893–1977
A pioneering interpreter of Persian art, she brought scholarship, design, and storytelling together in books that opened decorative arts to a wider audience. Her work ranged from wallpaper and tapestry to the monumental study of Iranian art she helped shape with Arthur Upham Pope.
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