
audiobook
by Cecil J. (Cecil James) Sharp, Herbert C. MacIlwaine

THE MORRIS BOOK
PREFACE.
INTRODUCTION.
HISTORICAL.
MORRIS DANCE TUNES.
THE DANCE.
SPECIAL INSTRUCTIONS FOR VARIOUS DANCES. - BEAN-SETTING (STICK DANCE). - TO FORM RING.
NOTATION.
A lively yet scholarly account traces the roots of England’s Morris dancing from its medieval origins to the colourful customs that survived in village squares. The authors weave together folklore, visual records and personal observations, giving listeners a vivid sense of the dance’s rhythm, costume and communal spirit. Their narrative is peppered with anecdotes about the people who kept the steps alive, making the history feel both academic and intimate.
Beyond the background, the book offers clear, step‑by‑step descriptions of eleven classic dances as performed by traditional Morris‑men, complete with musical cues and tips for modern groups. The writers share how they revived the art in London workshops, showing how the old tunes sparked fresh enthusiasm among city folk and schoolgirls alike. This blend of historical insight and practical guidance invites anyone curious about England’s native folk tradition to imagine the clatter of sticks, the ringing of bells, and the joyful energy that still echoes across the countryside.
Full title
The Morris Book, Part 1 A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England
Language
en
Duration
~1 hours (106K characters)
Publisher of text edition
Project Gutenberg
Credits
E-text prepared by Michael Ciesielski and Online Distributed Proofreading Team.
Release date
2004-07-17
Rights
Public domain in the USA.
Subjects

1859–1924
A leading force in the English folk-song revival, he spent years collecting traditional songs, dances, and tunes that might otherwise have been lost. His work helped shape how later generations understood and performed folk music.
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Known for both fiction and music, this Belfast-born writer moved between publishing, storytelling, and the English folk-dance revival. He is best remembered today as a collaborator on early morris dance collections and as the author of adventurous tales shaped in part by his Australian years.
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