The Miser

audiobook

The Miser

by Molière

EN·~2 hours·10 chapters

Chapters

10 total

THE MISER. - (L'AVARE.) - BY

0:01

MOLIÈRE

0:00

TRANSLATED INTO ENGLISH PROSE. - WITH A SHORT INTRODUCTION AND EXPLANATORY NOTES. - BY

0:05

CHARLES HERON WALL

1:12

THE MISER.

0:00

ACT I. - SCENE I.——VALÈRE, ÉLISE.

30:25

ACT II. - SCENE I.——CLÉANTE, LA FLÈCHE.

24:39

ACT III. - SCENE I.——HARPAGON, CLÉANTE, ÉLISE, VALÈRE, DAME CLAUDE (holding a broom), MASTER JACQUES, LA MERLUCHE, BRINDAVOINE.

24:25

ACT IV. - SCENE I.——CLÉANTE, MARIANNE, ÉLISE, FROSINE.

17:52

ACT V. - SCENE I.——HARPAGON, A POLICE OFFICER.

21:24

Description

In a bustling Parisian home, a wealthy patriarch whose love of money eclipses every other affection guards his fortune with a ferocious grip. His son and daughter are both caught in the throes of secret romances, while an eager young suitor and his own lover navigate the labyrinth of family expectations. The household hums with servants, brokers, and meddlesome acquaintances, each adding a layer of wit and complication to the tangled relationships.

Molière’s sharp comedy shines as the miser’s obsessive clinging to wealth collides with the youthful desire for love and freedom. Clever schemes, whispered plans, and frantic attempts to hide valuable coins create a lively dance of misunderstanding and farcical tension. Listeners will enjoy the vivid character sketches and the timeless observation that greed can turn even the closest of kin into rivals, all while the play’s brisk dialogue and bright humor keep the scene irresistibly engaging.

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Details

Language

en

Duration

~2 hours (115K characters)

Publisher of text edition

Project Gutenberg

Credits

E-text prepared by Delphine Lettau and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)

Release date

2004-11-01

Rights

Public domain in the USA.

About the author

Molière

Molière

1622–1673

A master of French comedy, this playwright turned sharp observations of vanity, hypocrisy, and social ambition into plays that still feel lively onstage today. His wit is elegant, but it always lands with human warmth.

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