
THE SCHOOL FOR HUSBANDS. - A COMEDY IN THREE ACTS. - (THE ORIGINAL IN VERSE.) - INTRODUCTORY NOTICE.
MY LORD,
MOLIÈRE.
MADAM,
THE TRANSLATOR.
DRAMATIS PERSONÆ.
A MAGISTRATE.
SCENE II.—LÉONOR, ISABELLA, LISETTE; ARISTE and SGANARELLE, conversing in an under-tone, unperceived.
SCENE III.—ARISTE, SGANARELLE, LÉONOR, LISETTE.
SCENE IV.—SGANARELLE, alone.
In this lively 17th‑century comedy, two very different husbands gather to compare notes on how best to keep their young wives obedient. Ariste, an older gentleman of reason, believes gentle persuasion and respect will win a partner’s affection, while his friend Sganarelle relies on strict rules, doors locked and lashes threatened. Their debate unfolds over a single afternoon, revealing the absurdities of domestic tyranny and the far‑cical pretensions of men who think they can control love with iron.
Molière lets the characters argue, joke, and stumble through misunderstandings that feel almost modern in their honesty. The humor springs from the sharp contrast between Ariste’s patient wisdom and Sganarelle’s blustering attempts at authority, offering listeners both laughs and a subtle reminder that true partnership depends on heart rather than force. The play’s ever‑watchful ear for everyday speech makes the lessons feel as natural as the laughter.
Language
en
Duration
~1 hours (76K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-10-01
Rights
Public domain in the USA.

1622–1673
A master of sharp, funny social satire, this 17th-century French playwright turned hypocrisy, vanity, and self-importance into some of the stage’s most enduring comedies. His plays still feel lively because they aim straight at human weakness with wit instead of lectures.
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