
audiobook
by Molière
TRANSLATED INTO ENGLISH PROSE. - WITH SHORT INTRODUCTIONS AND EXPLANATORY NOTES - BY
CHARLES HERON WALL
PERSONS REPRESENTED.
THE JEALOUSY OF LE BARBOUILLÉ.
SCENE I.——LE BARBOUILLÉ.
SCENE II.——DOCTOR, LE BARBOUILLÉ.
SCENE III.——ANGÉLIQUE, VALÈRE, CATHAU.
SCENE IV.——LE BARBOUILLÉ, VALÈRE, ANGÉLIQUE, CATHAU.
SCENE V.——GORGIBUS, VILLEBREQUIN, ANGÉLIQUE, CATHAU, LE BARBOUILLÉ.
SCENE VI.——GORGIBUS, VILLEBREQUIN, ANGÉLIQUE, CATHAU, LE BARBOUILLÉ, DOCTOR.
A lively short farce opens with Le Barbouillé, a husband convinced that his wife’s lively social life has turned him into the most unlucky man alive. He storms into a doctor’s office, half‑ranting, half‑pleading for a cure to his jealousy, and the doctor responds with an absurd parade of self‑aggrandizing titles. Their exchange crackles with rapid wit, as the doctor inflates his credentials through a comedic counting‑game that spirals into ridiculous philosophy.
The supporting cast—Angélique, her flirtatious lover Valère, the witty maid Cathau, and her stern father Gorgibus—adds layers of misunderstanding and slapstick intrigue. Molière’s sharp satire pokes fun at pretentiousness, marital mistrust, and the pretended wisdom of the learned, all while the dialogue snaps with the cadence of classic French comedy.
Presented in a clear, modern prose translation, this piece captures the original’s buoyant energy, making the 17th‑century humor instantly enjoyable for contemporary ears. Listeners will be drawn into the bustling courtroom of domestic jealousy, eager to see how the characters’ antics unfold.
Full title
The Jealousy of le Barbouillé (La Jalousie du Barbouillé) (La Jalousie du Barbouillé)
Language
en
Duration
~22 minutes (21K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Delphine Lettau
Release date
Oct 28, 2008
Rights
Public domain in the USA.

1622–1673
A sharp-eyed comic writer, actor, and theater leader, he helped shape modern French comedy with plays that still feel lively centuries later. His work turns hypocrisy, vanity, and self-deception into something both funny and uncomfortably recognizable.
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