
audiobook
by Luigi Lanzi
THE - HISTORY OF PAINTING - IN - ITALY.
VOL. III. - THE - HISTORY OF PAINTING - IN - ITALY, - FROM THE PERIOD OF THE REVIVAL OF - THE FINE ARTS, - TO THE END OF THE EIGHTEENTH CENTURY: - TRANSLATED - From the Original Italian - OF THE - ABATE LUIGI LANZI.
By THOMAS ROSCOE.
IN SIX VOLUMES. - VOL. III. - CONTAINING THE SCHOOL OF VENICE.
HISTORY OF PAINTING - IN - UPPER ITALY. - BOOK I.
This volume offers a clear‑sighted guide to the Venetian school, tracing its rise from the early revival of the fine arts through the late eighteenth century. Drawing on the notes of Vasari, Ridolfi, Boschini and many regional chroniclers, the author weaves together biographies, stylistic shifts and the cultural currents that shaped artists from Carpaccio and Titian to the later masters whose work brightened churches and palaces across the lagoon. The narrative balances scholarly detail with an accessible tone, helping listeners picture the vibrant workshops, patronage networks and the evolving tastes that defined Venice’s visual language.
Listeners will also hear about the broader Venetian territories, as the book incorporates sources from Brescia, Verona, Padua and beyond, revealing how local traditions fed into the capital’s flourishing scene. By comparing competing accounts and offering thoughtful corrections to earlier histories, the author builds a more nuanced portrait of the school’s development, making the complex tapestry of Venetian painting approachable for both newcomers and seasoned admirers.
Full title
The History of Painting in Italy, Vol. 3 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Language
en
Duration
~10 hours (597K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Barbara Tozier, Carol Brown, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-12-13
Rights
Public domain in the USA.
Subjects

1732–1810
Remembered as one of the first writers to tell the story of Italian painting as a whole, this Jesuit scholar helped shape how later generations understood art and antiquity. His books blended careful observation, wide learning, and a gift for clear explanation.
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