
audiobook
by Luigi Lanzi
THE - HISTORY OF PAINTING - IN - ITALY.
VOL. II. - THE - HISTORY OF PAINTING - IN - ITALY, - FROM THE PERIOD OF THE REVIVAL OF - THE FINE ARTS, - TO THE END OF THE EIGHTEENTH CENTURY: - TRANSLATED - From the Original Italian - OF THE - ABATE LUIGI LANZI.
By THOMAS ROSCOE.
IN SIX VOLUMES. - VOL. II. - CONTAINING THE SCHOOLS OF ROME AND NAPLES.
HISTORY OF PAINTING - IN - LOWER ITALY. - BOOK III.
This volume maps the evolution of Italian painting from the early revival of the fine arts through the close of the eighteenth century, concentrating on the distinct currents that shaped Rome and Naples. It traces how the Roman School emerged, debated, and defined itself—balancing reverence for ancient models with the bold innovations of masters like Raphael and later Barocci—while the Neapolitan scene forged its own identity under the influence of Raphael, Michelangelo, and later native talents such as Ribera and Luca Giordano.
The author presents the story as a series of “epochs,” each highlighting key artists, stylistic shifts, and the social forces that guided them. Readers will hear clear explanations of why scholars label these regional styles as “schools,” how terminology evolved, and what makes the Roman and Neapolitan approaches uniquely elegant or dramatic. The narrative stays rooted in the first act of art history, offering a vivid, scholarly tour that brings the painted world of Italy to life for the modern ear.
Full title
The History of Painting in Italy, Vol. 2 (of 6) From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Language
en
Duration
~11 hours (676K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Barbara Tozier, Carol Brown, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2010-12-08
Rights
Public domain in the USA.
Subjects

1732–1810
Remembered as one of the first writers to tell the story of Italian painting as a whole, this Jesuit scholar helped shape how later generations understood art and antiquity. His books blended careful observation, wide learning, and a gift for clear explanation.
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