The Comedy of Errors

audiobook

The Comedy of Errors

by William Shakespeare

EN·~1 hours·7 chapters

Chapters

7 total
1

THE COMEDY OF ERRORS - by William Shakespeare

0:02
2

Contents

0:57
3

ACT I - SCENE I. A hall in the Duke’s palace

12:17
4

ACT II - SCENE I. A public place

16:37
5

ACT III - SCENE I. The same

17:05
6

ACT IV - SCENE I. The same

23:13
7

ACT V - SCENE I. The same

21:02

Description

In the bustling city of Ephesus a strict new law bans travelers from rival towns, and a weary merchant named Egeon finds himself on the brink of execution for simply being a Syracusan. He pleads his case before the Duke, recounting how a storm‑tossed voyage separated him from his wife and their twin sons, leaving him desperate to reunite with his family. The audience is drawn into the tension of his looming fate and the hope that a miracle might spare his life.

Meanwhile, two sets of identical twins—Antipholus and his servant Dromio—have been unwittingly swapped between Syracuse and Ephesus, each unaware of their counterpart’s existence. Their accidental arrival in the foreign city sparks a cascade of mistaken identities, angry accusations, and bewildered encounters with friends, lovers, and even the law. The confusion escalates as strangers address them by the wrong names, leading to a comedy of errors that spirals out of control.

With a lively cast of merchants, a goldsmith, a schoolmaster, and a witty courtesan, the play promises rapid‑fire dialogue and slapstick misunderstandings that keep listeners laughing while the fate of the desperate father hangs in the balance.

Details

Language

en

Duration

~1 hours (87K characters)

Publisher of text edition

Project Gutenberg

Credits

the PG Shakespeare Team, a team of about twenty Project Gutenberg volunteers

Release date

1998-10-01

Rights

Public domain in the USA.

About the author

William Shakespeare

William Shakespeare

1564–1616

One of the most influential writers in any language, this English playwright and poet helped shape the way stories are told on stage and on the page. His tragedies, comedies, histories, and sonnets still feel alive because they speak so directly to ambition, love, jealousy, power, and grief.

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