
audiobook
by W. R. (William Richard) Lethaby, Harold Swainson
SANCTA SOPHIA CONSTANTINOPLE
PREFACE
S. SOPHIA CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
The great domed church that dominates the skyline of ancient Constantinople has long been celebrated as a masterpiece of architecture, rivaling the Egyptian pyramids and the Parthenon in both ambition and preservation. Visitors hear it described as the most beautiful and costly temple ever built, a claim underscored by its continual use and survival through centuries of conquest. This work invites listeners to explore how a seventh‑century structure became the supreme monument of the Christian building tradition.
Drawing on years of travel, translation of medieval chronicles, and detailed on‑site drawings, the authors peel back the layers of history to reveal the engineering logic behind the soaring dome and intricate masonry. They guide us through the surrounding landscape of the old capital, pointing out hidden features such as the subterranean cisterns and the lesser‑known Baptistery that still puzzle scholars. Along the way, the study connects Byzantine construction practices to living traditions in modern Greece and Turkey, showing how ancient craftsmanship continues to inform today’s architecture.
Language
en
Duration
~9 hours (536K characters)
Publisher of text edition
Project Gutenberg
Credits
Benjamin Fluehr, Turgut Dincer and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Sep 14, 2021
Rights
Public domain in the USA.
Subjects

1857–1931
A leading voice in the Arts and Crafts movement, he helped shape how people thought about architecture, conservation, and art education in Britain. His writing and teaching mattered as much as his buildings, giving him an influence that reached well beyond his own time.
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Best known as the co-author of a classic study of Hagia Sophia, this writer and artist brought a careful eye to art and architecture. His surviving record is slim, but his work still matters to readers interested in Byzantine building and design history.
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