
audiobook
by W. R. (William Richard) Lethaby
LONDINIUMARCHITECTURE AND THE CRAFTS
CHAPTER I BUILDING MATERIALS AND METHODS
CHAPTER II BUILDINGS AND STREETS
CHAPTER III WALLS, GATES AND BRIDGE
CHAPTER IV CEMETERIES AND TOMBS
CHAPTER V SOME LARGER MONUMENTS
CHAPTER VI SCULPTURE
CHAPTER VII THE MOSAICS
CHAPTER VIII WALL PAINTINGS AND MARBLE LININGS
CHAPTER IX LETTERING AND INSCRIPTIONS
Delve into the hidden world of Roman London, where stone, brick, and timber were shaped with tools that echo the craftsperson’s workshop a century ago. The opening chapters guide listeners through the everyday materials—adzes, chisels, plumb‑bobs—and the surprisingly precise measurements that governed the city’s streets, walls, and bridges. By comparing these ancient methods with later European traditions, the narrative reveals how Britain’s provincial Roman art forged a distinct identity, blending imperial influence with local ingenuity.
Beyond the mortar and masonry, the book illuminates the broader tapestry of Roman craftsmanship: mosaics, wall paintings, inscriptions, and the subtle artistry that adorned both public monuments and private homes. With vivid descriptions of excavated bricks, decorative tiles, and the tools that once lay in the hands of London’s builders, listeners gain a fresh appreciation for the city’s deep architectural roots, setting the stage for later chapters on monuments, sculpture, and early Christian sites.
Language
en
Duration
~5 hours (295K characters)
Publisher of text edition
Project Gutenberg
Credits
Charlene Taylor, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Last Edit of Project Info
Release date
2021-09-10
Rights
Public domain in the USA.

1857–1931
A quiet but powerful force in British architecture, he helped shape the Arts and Crafts movement and influenced early modern design through his ideas on building, craft, and conservation. Best known today as an architect, teacher, and writer, he believed that good design should grow naturally from materials, purpose, and skilled workmanship.
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