Portraits in Plaster, from the Collection of Laurence Hutton

audiobook

Portraits in Plaster, from the Collection of Laurence Hutton

by Laurence Hutton

EN·~3 hours·1 chapter

Chapters

1 total

Transcriber’s Note

3:00:01

Description

You’ll be drawn into a curious tale of chance recovery and obsessive gathering. The narrator recounts how a handful of plaster masks, abandoned in a Tompkins Square dust‑bin in the 1860s, were rescued by a phrenology dealer and eventually assembled into a remarkable personal collection. The mystery surrounding the original owner adds a layer of intrigue, hinting at the influence of 19th‑century phrenological lectures and the lingering fingerprints of history.

From a 14th‑century replica of Dante’s visage to a freshly cast likeness of the late actor Edwin Booth, the assortment spans poets, scientists, politicians, and even a minstrel‑type “Florida Negro boy.” Each bust offers a tactile portrait of its subject—Sir Isaac Newton’s contemplative brow, Oliver Cromwell’s steely resolve, or the fierce intensity of a prize‑fighter—showcasing a rare blend of artistic craft and cultural snapshot.

Listening to this work feels like wandering through a silent gallery where stone faces whisper stories of fame, folly, and the era that revered them. The narrator’s lively commentary breathes life into the plaster, inviting you to contemplate how physical likeness can capture both the greatness and the quirks of humanity.

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Details

Language

en

Duration

~3 hours (172K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow, ellinora and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2016-08-05

Rights

Public domain in the USA.

About the author

Laurence Hutton

Laurence Hutton

1843–1904

An American essayist, critic, and editor remembered for lively literary writing and a remarkable passion for collecting masks, portraits, and literary memorabilia. His career moved from newspaper criticism to Harper’s Magazine and then to Princeton, where his love of books and culture left a lasting mark.

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