
E-text prepared by the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org)
THE ARGUMENT.
ACT I. THE NATIVE AMERICAN DRAMA.
ACT II. THE AMERICAN STAGE NEGRO.
ACT III. THE AMERICAN BURLESQUE.
ACT IV. INFANT PHENOMENA OF AMERICA.
ACT V. A CENTURY OF AMERICAN HAMLETS.
THE CAST OF CHARACTERS.
THE SYNOPSIS OF SCENERY.
A lively compendium of theatre lore, this volume gathers the most unusual and often overlooked stories from America’s stage heritage. It moves beyond the well‑trodden histories to shine a light on the people, fashions and quirks that shaped drama in the nineteenth century, offering a readable guide for both seasoned collectors and curious newcomers.
The author assembles chapters on subjects such as the early Negro stage, the rise of burlesque, and a century of modest provincial theatres, each enriched with rare portraits drawn from private collections. Sketches of figures like Junius Brutus Booth, Edwin Forrest, and the flamboyant Lydia Thompson sit beside vivid anecdotes that reveal the actors’ personalities and the era’s theatrical atmosphere. A double index of names and venues makes the work a handy reference, while the illustrations add a visual charm that brings the past to life.
Language
en
Duration
~4 hours (268K characters)
Publisher of text edition
Project Gutenberg
Release date
May 4, 2012
Rights
Public domain in the USA.

1843–1904
Best known as a literary critic and essayist, he brought books and theater to life for magazine readers in the late 19th century. His curiosity ranged far beyond reviewing, from travel and collecting to preserving literary and theatrical history.
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