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THE ARGUMENT.
ACT I. THE NATIVE AMERICAN DRAMA.
ACT II. THE AMERICAN STAGE NEGRO.
ACT III. THE AMERICAN BURLESQUE.
ACT IV. INFANT PHENOMENA OF AMERICA.
ACT V. A CENTURY OF AMERICAN HAMLETS.
THE CAST OF CHARACTERS.
THE SYNOPSIS OF SCENERY.
A lively compendium of theatre lore, this volume gathers the most unusual and often overlooked stories from America’s stage heritage. It moves beyond the well‑trodden histories to shine a light on the people, fashions and quirks that shaped drama in the nineteenth century, offering a readable guide for both seasoned collectors and curious newcomers.
The author assembles chapters on subjects such as the early Negro stage, the rise of burlesque, and a century of modest provincial theatres, each enriched with rare portraits drawn from private collections. Sketches of figures like Junius Brutus Booth, Edwin Forrest, and the flamboyant Lydia Thompson sit beside vivid anecdotes that reveal the actors’ personalities and the era’s theatrical atmosphere. A double index of names and venues makes the work a handy reference, while the illustrations add a visual charm that brings the past to life.
Language
en
Duration
~4 hours (268K characters)
Publisher of text edition
Project Gutenberg
Release date
2012-05-04
Rights
Public domain in the USA.

1843–1904
An American essayist, critic, and editor remembered for lively literary writing and a remarkable passion for collecting masks, portraits, and literary memorabilia. His career moved from newspaper criticism to Harper’s Magazine and then to Princeton, where his love of books and culture left a lasting mark.
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