
Produced by Sophia Canoni. First two corrections by George Canonis
ΤΡΑΓΩΔΙΑI ΣΑΙΚΣΠΕΙΡΟΥ - ΕΝ ΑΘΗΝΑΙΣ, EΚ ΤΟΥ ΤΥΠΟΓΡΑΦΕΙΟΥ ΤΩΝ ΑΔΕΛΦΩΝ ΠΕΡΡΗ. - ΣΑΙΚΣΠΕΙΡΟY ΤΡΑΓΩΔIΑΙ - ΕΚ TΟΥ ΑΓΓΛΙΚΟY ΜΕΤΑΦΡΑΣΘΕIΣΑI YΠO ΔΗΜΗΤΡΙΟΥ ΒΙΚΕΛΑ. - ΜΕΡΟΣ Β'. ΟΘΕΛΛΟΣ - ΑΔΕΛΦΟΙ ΔΕΠΑΣΤΑ ΒΙΒΛΙΟΠΩΛΑΙ ΚΑΙ ΕΚΔΟΤΑΙ ΕΝ ΚΩΝΣΤΑΝΤΙΝΟΥΠΟΛΕΙ
ΑΞΙΩΜΑΤΙΚΟΙ, ΑΡΧΟΝΤΕΣ, ΑΓΓΕΛΙΟΦΟΡΟΙ, ΜΟΥΣΙΚΟΙ, ΥΠΗΡΕΤΑΙ, ΝΑΥΤΑΙ, Κ.Τ.Λ.
Set against the shimmering canals of 19th‑century Venice, this Greek rendition of Shakespeare’s tragedy opens with a tense encounter on a narrow street. Othello, the celebrated Moor of Venice, has just arrived with his retinue, and the audience is introduced to a cast of noble Venetians, Cypriot officials, and loyal servants whose loyalties are already shifting like the tide.
In the first act, a sharp exchange between the aristocratic Rodrikos and the scheming Iagos hints at the poisonous rivalry that will drive the drama forward. Their words crackle with suspicion, ambition, and veiled threats, while the looming prospect of a campaign in Cyprus adds a political urgency to the personal animosities. Listeners will feel the weight of honor, the sting of jealousy, and the subtle manipulations that begin to coil around Othello before the story moves beyond the city’s fog‑filled alleys.
Full title
Οθέλλος Σαικσπείρου Τραγωδίαι Μέρος Β' Σαικσπείρου Τραγωδίαι Μέρος Β'
Language
el
Duration
~3 hours (194K characters)
Publisher of text edition
Project Gutenberg
Release date
2010-06-13
Rights
Public domain in the USA.

1564–1616
A playwright, poet, and actor from Stratford-upon-Avon, he created characters and lines that have stayed alive for more than four centuries. His stories of love, ambition, jealousy, power, and forgiveness still feel startlingly human.
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