Noites de insomnia, offerecidas a quem não póde dormir. Nº 06 (de 12)

audiobook

Noites de insomnia, offerecidas a quem não póde dormir. Nº 06 (de 12)

by Camilo Castelo Branco

PT·~1 hours·11 chapters

Chapters

11 total

BIBLIOTHECA DE ALGIBEIRA

0:47

SUBSIDIOS PARA A HISTORIA DA SERENISSIMA CASA DE BRAGANÇA - I - PEDRO DE ALPOEM

46:04

OS SALÕES - CAPITULO III - VOX POPULI

12:27

O MANUSCRIPTO DO DESEMBARGADOR - IV - CARTHAGO

13:48

MANOELINHO DE EVORA

7:51

A MORTE DE D. JOÃO

6:11

POETAS E PROSADORES BRAZILEIROS

7:17

ÁCERCA DE JOAQUIM 2.º

4:03

ESTUPIDO E INFAME

7:00

CARTA AO SNR. CONSELHEIRO VIALE

2:10

Description

A night‑long reverie for the restless, this volume gathers a patchwork of texts that pulse with the anxieties of a nation wrestling with its own legacy. From a fervent appeal to the Duke of Bragança—laden with grievances about court intrigue, fiscal abuse, and the erosion of royal honor—to vivid sketches of salons, lost poets, and the tragic end of D. João, the pages echo the urgency of a time when every letter seemed a battle for identity.

Interwoven with sharp commentary on contemporary politics, the collection also sprinkles in satirical pieces that lampoon the opportunism of nobles and clerics, offering a glimpse into the heated debates of 19th‑century Portugal. Readers who find sleep elusive will discover a compelling mosaic of history, rhetoric, and wit, all presented in a voice that feels both scholarly and intimately conversational.

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Details

Language

pt

Duration

~1 hours (106K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)

Release date

2008-11-28

Rights

Public domain in the USA.

About the author

Camilo Castelo Branco

Camilo Castelo Branco

1825–1890

A towering figure in 19th-century Portuguese literature, this fiercely productive novelist turned passion, irony, and misfortune into stories that still feel vivid today. Best known for Amor de Perdição, he wrote across romance, realism, drama, and satire with remarkable speed and intensity.

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