Noites de insomnia, offerecidas a quem não póde dormir. Nº 07 (de 12)

audiobook

Noites de insomnia, offerecidas a quem não póde dormir. Nº 07 (de 12)

by Camilo Castelo Branco

PT·~1 hours·13 chapters

Chapters

13 total

BIBLIOTHECA DE ALGIBEIRA

0:45

OS SALÕES - CAPITULO V - TENEBRAE ERANT

21:59

UMA VISCONDESSA QUE NÃO ERA

21:13

CONCLUSÃO

1:17

BIBLIOGRAPHIA

13:20

PARA A HISTORIA DE D. JOÃO IV

5:40

INEDITO DE MANOEL SEVERIM DE FARIA

8:37

O MANOELINHO POETA

8:30

UM BAILE DADO A JUNOT, EM LISBOA

8:09

QUE SAUDADE!...

0:07

Description

The volume opens as a midnight reverie for anyone whose thoughts refuse to settle. In a voice that drifts between scholarly chronicle and lyrical confession, it surveys the rise and fall of Portugal’s golden age, from the daring voyages of the 15th century to the bruised aftermath of Alcácer‑Quibir. Poetic fragments, foreign quotations, and vivid descriptions of courtly salons weave together, creating a tapestry that feels both historical and intimate.

Among the varied pieces you’ll meet a viscount’s ornate gathering, a baffling “viscountess who was not,” and a tender homage to D. João IV, all peppered with letters, unpublished manuscripts, and a playful catalogue of forgotten poets. The language is richly textured, often slipping into French and Latin, inviting listeners to wander through archives and imagination alike. For night‑time listeners, the work offers a contemplative journey that balances melancholy with the persistent hope that even the sleepless can find a story to hold.

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Details

Language

pt

Duration

~1 hours (101K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)

Release date

2009-01-17

Rights

Public domain in the USA.

About the author

Camilo Castelo Branco

Camilo Castelo Branco

1825–1890

A towering figure in 19th-century Portuguese literature, this fiercely productive novelist turned passion, irony, and misfortune into stories that still feel vivid today. Best known for Amor de Perdição, he wrote across romance, realism, drama, and satire with remarkable speed and intensity.

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