Noites de insomnia, offerecidas a quem não póde dormir. Nº 12 (de 12)

audiobook

Noites de insomnia, offerecidas a quem não póde dormir. Nº 12 (de 12)

by Camilo Castelo Branco

PT·~1 hours·15 chapters

Chapters

15 total

BIBLIOTHECA DE ALGIBEIRA

0:46

O QUE ERAM FRADES

15:08

QUEM DESTERROU JOSÉ DE SEABRA DA SILVA?

7:41

D. JOÃO IV E AS REGATEIRAS

9:14

FIELDING

5:37

MANIA E HYPOCONDRIA

3:50

AOS DIPLOMATAS DESCONTENTES

4:30

BIBLIOGRAPHIA - (PADRE SENNA FREITAS—FRANCISCO GOMES D'AMORIM)

11:23

EXCELLENTISSIMOS SENHORES

3:00

O ULTIMO CARRASCO - II

0:14

Description

A quiet voice beckons the restless night‑dweller, offering a series of short, digressive pieces that glide between memory, history and personal observation. With a tone that feels like a lantern’s glow over an ancient desk, each essay drifts from the quirks of old institutions to the oddities of everyday life, inviting listeners to linger over language as much as content.

Among the most vivid sections, the work turns to the world of monastic orders, recalling both the sanctified devotion that once lit cloisters and the darker moments when monks clashed with power. A striking narrative recounts a 1580 uprising at a Lisbon monastery, where clergy, fed up with political intrusion, locked doors, sang defiantly, and faced armed troops. The passage captures the clash of spiritual resolve and worldly authority, setting a tone of thoughtful inquiry without spilling the story’s later resolutions.

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Details

Language

pt

Duration

~1 hours (108K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Pedro Saborano (produced from scanned images of public domain material from Google Book Search)

Release date

2009-02-27

Rights

Public domain in the USA.

About the author

Camilo Castelo Branco

Camilo Castelo Branco

1825–1890

A towering figure in 19th-century Portuguese literature, this fiercely productive novelist turned passion, irony, and misfortune into stories that still feel vivid today. Best known for Amor de Perdição, he wrote across romance, realism, drama, and satire with remarkable speed and intensity.

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