Molière - Œuvres complètes, Tome 3

audiobook

Molière - Œuvres complètes, Tome 3

by Molière

FR·~9 hours·12 chapters

Chapters

12 total

Au lecteur

0:01

ŒUVRES COMPLÈTES DE J.-B. POQUELIN MOLIÈRE

0:41

DON JUAN OU LE FESTIN DE PIERRE COMÉDIE

1:55:38

L'AMOUR MÉDECIN COMÉDIE-BALLET

46:02

LE MISANTHROPE COMÉDIE

1:49:34

LE MÉDECIN MALGRÉ LUI COMÉDIE

1:04:23

MÉLICERTE ET LA PASTORALE COMIQUE BALLETS

36:41

PASTORALE COMIQUE

8:25

LE SICILIEN OU L'AMOUR PEINTRE COMÉDIE-BALLET

37:10

LE TARTUFFE OU L'IMPOSTEUR COMÉDIE

2:29:15

Description

This volume gathers the masterpieces Molière crafted during his most daring years, 1664‑1666, when his comedy began to fuse sharp social satire with a deeper philosophical edge. The texts capture the playwright’s restless energy as he navigated courtly expectations and the everyday follies of Parisian life, offering listeners a vivid portrait of a France in transition.

Inside, you’ll encounter the cunning hypocrisy of Tartuffe, the brazen bravado of Don Juan – the infamous seducer who dares to dine with his own statue – and the witty examinations of love and misanthropy in L’amour médecin and Le Misanthrope. Each work opens with lively dialogue and memorable characters, inviting the audience to laugh while being nudged toward reflection on morality, pretension, and human desire.

Listening to these texts brings Molière’s theatrical brilliance to life: the rhythm of his verse, the timing of his jokes, and the timeless relevance of his critiques make the experience both entertaining and thought‑provoking.

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Details

Language

fr

Duration

~9 hours (546K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Claudine Corbasson and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

Oct 10, 2015

Rights

Public domain in the USA.

About the author

Molière

Molière

1622–1673

A sharp-eyed comic writer, actor, and theater leader, he helped shape modern French comedy with plays that still feel lively centuries later. His work turns hypocrisy, vanity, and self-deception into something both funny and uncomfortably recognizable.

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