Molière - Œuvres complètes, Tome 2

audiobook

Molière - Œuvres complètes, Tome 2

by Molière

FR·~8 hours·12 chapters

Chapters

12 total
1

Au lecteur

0:00
2

ŒUVRES COMPLÈTES DE J.-B. POQUELIN MOLIÈRE

0:28
3

L'ÉCOLE DES MARIS COMÉDIE

1:11:59
4

LES FACHEUX COMÉDIE-BALLET

1:04:39
5

L'ÉCOLE DES FEMMES COMÉDIE

1:53:04
6

LA CRITIQUE DE L'ÉCOLE DES FEMMES COMÉDIE

55:21
7

L'IMPROMPTU DE VERSAILLES COMÉDIE

53:59
8

LE MARIAGE FORCÉ COMÉDIE-BALLET

51:58
9

LA PRINCESSE D'ÉLIDE COMÉDIE-BALLET

1:17:15
10

TABLE

0:25

Description

Listeners are invited into a lively 17th‑century French comedy that premiered in 1661 at the Palais‑Royal. The piece centers on a household where two brothers represent opposite attitudes toward love and social convention: one clings to rigid old‑world manners, the other champions youthful freedom and more relaxed morals. Through brisk dialogue and clever misunderstandings, the work satirizes the tension between an aging aristocracy and a court increasingly drawn to dance, festivity, and personal choice.

The characters—among them a pompous, self‑important older man and his more easy‑going sibling—allow the actors to riff on themes of marriage, education, and the generational clash that still feels recognizable today. The playwright’s sharp wit shines in rapid exchanges that translate beautifully to audio, with each line delivered in the melodic cadence of classic French verse. Listeners will appreciate how the comedy balances biting social commentary with genuine warmth for the impulsive spirit of youth.

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Details

Language

fr

Duration

~8 hours (470K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Claudine Corbasson and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2013-08-22

Rights

Public domain in the USA.

About the author

Molière

Molière

1622–1673

A master of comedy and satire, this 17th-century playwright turned human weakness into some of the funniest and sharpest drama in French literature. His plays still feel lively today because they poke at vanity, hypocrisy, and self-deception with such clear-eyed wit.

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