
audiobook
by J. P. (John Percy) Blake, A. E. (Alfred Edward) Reveirs-Hopkins
LITTLE BOOKS ABOUT OLD FURNITURE II. QUEEN ANNE
INTRODUCTION
BIBLIOGRAPHY
CHAPTER I: THE QUEEN ANNE PERIOD
CHAPTER II: SIR CHRISTOPHER WREN AND GRINLING GIBBON
CHAPTER III: MIRRORS, STOOLS, AND SOME NOTES ON A QUEEN ANNE BEDROOM
CHAPTER IV: CHAIRS AND TABLES
CHAPTER V: CHESTS OF DRAWERS, TALLBOYS, CABINETS AND CHINA CABINETS
CHAPTER VI: SECRETAIRES, BUREAUX, AND WRITING-TABLES
CHAPTER VII: CLOCKS AND CLOCK-CASES
A compact, illustrated guide to English furniture of the early eighteenth century, this volume explores the “Queen Anne” era—spanning from William and Mary through George I. It explains how the shift from Jacobean to Dutch influences reshaped design, especially the widespread use of walnut, whose rich colour and grain defined the period’s elegant silhouettes.
Written for collectors of modest means, the book pairs clear descriptions with photographs of both celebrated pieces and more affordable examples, often noting contemporary price ranges. It also offers practical advice on caring for walnut furniture, including simple treatments for worm damage. While it encourages listeners to view original items in museums whenever possible, the text serves as an accessible entry point for anyone interested in the history and appreciation of this refined style.
Language
en
Duration
~2 hours (149K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Sue Fleming and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2013-09-23
Rights
Public domain in the USA.
1874–1950
Known today for readable books on English furniture, this early 20th-century writer helped make antiques and design history approachable for general readers. He is also linked to an unexpectedly varied public life that included politics and high-level sport.
View all booksBest known for writing clear, inviting books on historic English furniture, this early 20th-century author helped make decorative arts feel accessible to general readers. His work ranges from Tudor and Stuart styles to Queen Anne and the Sheraton period, often written in collaboration with J. P. Blake.
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