
audiobook
HISTOIRE DES PLUS CÉLÈBRES AMATEURS ITALIENS ET DE LEURS RELATIONS AVEC LES ARTISTES - PAR - J.-G. DUMESNIL - Membre du Conseil général du Loiret, de la Société archéologique de l'Orléanais et de la Légion d'honneur. - Vitam excoluere per artes. Virg. - ISBN 2-8266-0076-1 - Réimpression de l'édition de Paris, 1853 - TOME IV - PARIS - JULES RENOUARD ET Cie - Éditeurs de l'Histoire des Peintres de toutes les Écoles - 6, RUE DE TOURNON - MINKOFF REPRINT - GENÈVE - 1973
AVERTISSEMENT.
LE COMTE BALTHASAR CASTIGLIONE
PIETRO ARETINO
DON FERRANTE CARLO
LE COMMANDEUR CASSIANO DEL POZZO
APPENDICE - I
II.(voy. p. 83).
III ET IV
V
The book shines a light on the often‑forgotten figures who shaped European art from behind the scenes: the educated, discerning Italian amateurs whose patronage guided the great masters. Rather than merely collectors, these men and women combined a love of beauty with rigorous study, offering artists both financial support and intellectual counsel. Through vivid portraits, the author shows how their refined taste helped define the direction of painting, sculpture and architecture during the Renaissance and Baroque eras.
Readers meet personalities such as the cultured count Balthasar Castiglione, whose dialogues with Raphael influenced the latter’s compositions, and Pietro Aretino, a witty provocateur who championed Titian and Michelangelo. The narrative also follows Don Ferrante Carlo, a 17th‑century patron of the Bolognese school, and the erudite commander Cassiano del Pozzo, whose extensive network connected artists across Rome, Venice and beyond. Their stories are interwoven with anecdotes about famous works, court intrigues, and the discovery of antiquities like the Laocoon group.
Full title
Histoire des plus célèbres amateurs italiens et de leurs relations avec les artistes Tome IV Tome IV
Language
fr
Duration
~13 hours (766K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif
Release date
2005-11-04
Rights
Public domain in the USA.
1805–1891
A 19th-century French lawyer, senator, and art historian, he wrote lively studies of art patrons and Renaissance figures that still surface in digital libraries today. His work bridges public life and a lasting fascination with the history of collecting and power.
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