
SHAKESPEARE'S TRAGEDY - OF - HAMLET, - PRINCE OF DENMARK. - ARRANGED FOR REPRESENTATION AT THE - ROYAL PRINCESS'S THEATRE - WITH - EXPLANATORY NOTES, - BY - CHARLES KEAN, F.S.A. - AS PERFORMED ON - MONDAY, JANUARY 10, 1859.
LONDON: - BRADBURY AND EVANS, 11, BOUVERIE STREET. - 1859.
LONDON: - BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.
DRAMATIS PERSONÆ.
STAGE DIRECTIONS.
PREFACE.
HAMLET, - PRINCE OF DENMARK.
ACT I. - Scene I.—ELSINORE. A Platform before the Castle. Night.
END OF ACT FIRST.
ACT II. - Scene I.—A ROOM IN POLONIUS'S HOUSE.
A timeless exploration of doubt, revenge, and the fragile nature of the human mind, this drama unfolds in the cold corridors of a Danish castle where a grieving prince confronts unsettling revelations about his father’s death. The opening scenes set a haunting mood with midnight watchmen, a mysterious apparition, and a young scholar wrestling with loyalty and suspicion, inviting listeners into a world where every word carries weight and every pause teems with meaning.
Presented as the 1859 Royal Princess’s Theatre production, the recording preserves the original stagecraft: a full cast list, precise entrance cues, and meticulous notes that illuminate 19th‑century performance practice. An introductory essay celebrates the play’s place among Shakespeare’s greatest works, tracing its literary ancestry and offering context that deepens appreciation without spoiling later events. The blend of vivid dialogue, thoughtful commentary, and authentic theatrical direction makes this version an engaging entry point for both seasoned admirers and newcomers alike.
Language
en
Duration
~3 hours (175K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Starner, Curtis Weyant and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
Jan 10, 2009
Rights
Public domain in the USA.

1564–1616
A playwright, poet, and actor whose stories have traveled far beyond the Elizabethan stage, shaping the way generations think about love, ambition, jealousy, power, and loss. His plays and poems remain lively, surprising, and deeply human more than four centuries after his death.
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