
| A few typographical errors have been corrected by the etext transcriber: |
F r e n c h B o o k-p l a t e s by Walter Hamilton, Chairman of Council of the Ex-Libris Society and Vice-President of the Société Française des Collectionneurs d’Ex-Libris
PREFACE.
CHRONOLOGICAL SUMMARY OF THE PRINCIPAL HISTORICAL EVENTS HEREIN ALLUDED TO.
FRENCH EX-LIBRIS. - CHAPTER I. INTRODUCTION.
CHAPTER II. IDENTIFICATION AND CLASSIFICATION.
CHAPTER III. A FEW NOTES ON FRENCH HERALDRY.
CHAPTER IV. EARLY EXAMPLES. FROM 1574 TO 1650.
CHAPTER V. EXAMPLES OF EX-LIBRIS. FROM 1650 TO 1700
CHAPTER VI. EXAMPLES OF EX-LIBRIS. From 1700 TO 1789.
The world of book-plates – those tiny, personalized illustrations pasted onto a book’s front endpaper – exploded into a serious hobby in the late nineteenth century, and this guide captures that moment of enthusiasm. Drawing on rare French sources that are now mostly out of reach, the author traces the evolution of French ex‑libris from the first dated example in 1574 through three centuries of changing taste. Richly illustrated with nearly a hundred facsimiles, the volume lets listeners picture the ornate designs that once signaled a collector’s identity and status.
Beyond the visual feast, the work offers an alphabetical register of the artists and engravers who shaped the French tradition, together with clear explanations of how their heraldic symbols differ from British conventions. The author’s own collection provides additional commentary, making the guide both a reference and a narrative of a vibrant, international community of collectors. Listeners will come away with a deeper appreciation of how these small pictures reflect broader cultural shifts in art, commerce, and personal expression.
Language
en
Duration
~6 hours (372K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at the Digital & Multimedia Center, Michigan State University Libraries.)
Release date
2012-12-14
Rights
Public domain in the USA.
Subjects
1844–1899
A lively Victorian man of letters, he wrote about English poetry, theater, art, and collecting with the curiosity of a born literary enthusiast. His books range from studies of the aesthetic movement to histories of parody, bookplates, and the office of Poet Laureate.
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