
FRA BARTOLOMMEO and ANDREA D'AGNOLO - By Leader Scott - Author Of "A Nook In The Apennines" Re-Edited By Horace Shipp and Flora Kendrick, A.R.B.S.
FOREWORD
FRA BARTOLOMMEO.
CHAPTER I. THOUGHTS ON THE RENAISSANCE.
CHAPTER II. THE "BOTTEGA" OF COSIMO ROSELLI. A.D. 1475-1486.
CHAPTER III. THE GARDEN AND THE CLOISTER. A.D. 1487-1495.
CHAPTER IV. SAN MARCO. A.D. 1496-1500.
CHAPTER V. FRA BARTOLOMMEO IN THE CONVENT. A.D. 1504-1509.
CHAPTER VI. ALBERTINELLI IN THE WORLD. A.D. 1501-1510.
CHAPTER VII. CONVENT PARTNERSHIP. A.D. 1510—1513.
Step into the bustling studios of early sixteenth‑century Florence, where a humble monk‑painter negotiates the shifting tides of the High Renaissance. Fra Bartolommeo, trained in the devotional style of the early masters, begins to absorb the dynamic anatomy and perspective championed by Raphael, Leonardo and Michelangelo, transforming his once restrained canvases into vibrant studies of light, drapery and human emotion. The narrative highlights his remarkable ability to blend fierce spiritual purpose with the emerging scientific rigor of his era, offering listeners a vivid portrait of an artist caught between reverence and innovation.
Equally compelling is his lifelong partnership with the worldly painter Albertinelli, a friendship that fuses cloistered discipline with market‑driven ambition. The book reveals how their collaboration navigated disputes over payment, the pressure to produce works for both church and patron, and the subtle ways each influenced the other's style. Through engaging anecdotes and careful analysis, listeners gain an intimate sense of how these two creators forged a unique artistic alchemy that still resonates in museums today.
Language
en
Duration
~3 hours (218K characters)
Publisher of text edition
Project Gutenberg
Credits
Text file produced by Michelle Shephard, Tiffany Vergon, Charles Franks and the Online Distributed Proofreading Team HTML file produced by David Widger
Release date
2005-01-01
Rights
Public domain in the USA.
1837–1902
An English writer on art and culture, she published under the name Leader Scott and made Italy the heart of her work. Her books on Florence, Renaissance artists, and architecture helped bring Italian art history to a wide English-speaking readership.
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