
audiobook
ENGRAVERS AND ETCHERS
TO THE READER
GERMAN ENGRAVING: FROM THE BEGINNINGS TO MARTIN SCHONGAUER
ITALIAN ENGRAVING: THE FLORENTINES
GERMAN ENGRAVING: THE MASTER OF THE AMSTERDAM CABINET AND ALBRECHT DÜRER
ITALIAN ENGRAVING: MANTEGNA TO MARCANTONIO RAIMONDI
SOME MASTERS OF PORTRAITURE
LANDSCAPE ETCHING
A seasoned curator walks listeners through the evolution of printmaking, beginning with the humble origins of German engraving and its rise to the brilliance of Martin Schongauer and Albrecht Dürer. The first two lectures map the flourishing of Florentine workshops, revealing how the Italian masters translated Renaissance ideals onto copper plates. As the series progresses, the speaker unpacks the distinctive styles of portraiture and the daring expansion of landscape etching, all the while weaving anecdotes about the artists’ lives and the cultural currents that shaped their work.
Interlaced with more than a hundred vivid illustrations, these talks bring the textures of woodcuts, the gleam of silver points, and the subtle gradations of ink to life for the ear. Listeners gain a clear sense of how technical choices—line, cross‑hatching, and tonal shading—became expressive tools that defined an era. The result is an accessible, richly detailed tour of engraving and etching that feels both scholarly and warmly conversational, perfect for anyone curious about the visual stories behind some of art’s most enduring images.
Full title
Engravers and Etchers Six Lectures Delivered on the Scammon Foundation at the Art Institute of Chicago, March 1916 Six Lectures Delivered on the Scammon Foundation at the Art Institute of Chicago, March 1916
Language
en
Duration
~3 hours (220K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: Art Institute of Chicago, 1917.
Credits
Charlene Taylor, Alan and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2021-11-30
Rights
Public domain in the USA.
1869–1954
Best known as a print scholar and editor, he also had a strong literary side, compiling and arranging poetry from earlier centuries. His work bridges art history and anthology-making in a way that still feels distinctive.
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