
audiobook
ENCAUSTIC PAINTING.
ENCAUSTIC: OR, Method of Painting In the Manner of the Ancients.
ART. I.
ART. II.
ART. III.
ART. IV.
ART. V.
List of the Colours To be USED for Painting in Encaustic; AS ALSO FOR THE Composing of the Crayons.
ENCAUSTIC;
ART. I.
The mid‑eighteenth‑century treatise offers a concise guide to encaustic painting, addressed to a noble patron and eager to share Count Caylus's revival of an ancient wax technique. Its modest, courteous tone frames the method as a bridge between classical antiquity and contemporary art. Listeners hear why durability and visual effect matter.
The core describes a three‑stage process: first, rub a thin layer of beeswax onto a prepared board or canvas; second, apply water‑based pigments over a light coat of Spanish chalk; third, warm the surface near a fire so the wax melts and locks in colour. This simple method replaces earlier oily mixtures that dried too quickly. An appended section explains a quick way to fix crayons, widening the artist’s palette. Throughout, the author cites Royal Society papers and classical references to ground the technique in both science and tradition.
Listeners will enjoy the blend of practical advice and modest scholarly humor, gaining a vivid glimpse of eighteenth‑century artistic experimentation. It offers a rare window into the practical side of a historical craft.
Full title
Encaustic: Or, Count Caylus's method of painting in the manner of the ancients. To which is added a sure and easy method for fixing of crayons To which is added a sure and easy method for fixing of crayons
Language
en
Duration
~1 hours (75K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Bible and Crown, 1760.
Credits
Charlene Taylor, Krista Zaleski and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2023-01-20
Rights
Public domain in the USA.
Subjects

1727–1798
An adventurous 18th-century artist and designer, he moved easily between painting, printmaking, architecture, and garden design. His work is closely tied to Horace Walpole and the Gothic world of Strawberry Hill, giving his life a vivid place in British cultural history.
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