Embroidery and Tapestry Weaving

audiobook

Embroidery and Tapestry Weaving

by Grace Christie

EN·~4 hours·54 chapters

Chapters

54 total
1

THE ARTISTIC CRAFTS SERIES OF TECHNICAL HANDBOOKS EDITED BY W. R. LETHABY EMBROIDERY AND TAPESTRY WEAVING

0:06
2

EMBROIDERY AND TAPESTRY WEAVING - A PRACTICAL TEXT-BOOK OF DESIGN AND WORKMANSHIP BY MRS. ARCHIBALD H. CHRISTIE WITH DRAWINGS BY THE AUTHOR AND OTHER ILLUSTRATIONS

0:25
3

EDITOR'S PREFACE

4:28
4

AUTHOR'S PREFACE

1:04
5

PART I—EMBROIDERY

0:01
6

CHAPTER I INTRODUCTION

8:13
7

CHAPTER II TOOLS, APPLIANCES, AND MATERIALS

7:53
8

MATERIALS

6:35
9

CHAPTER III PATTERN DESIGNING

15:42
10

CHAPTER IV STITCHES

13:15

Description

This volume opens with a concise history of needlework, tracing its evolution from medieval English courts to the bustling guilds of Paris. It highlights how embroidery once served both liturgical and aristocratic functions, showcasing famed pieces such as the Westminster altar frontal and the celebrated “English Work” exported across Europe. By framing the craft within its rich cultural backdrop, the author sets the stage for a clear understanding of why design has always been central to successful stitching.

The heart of the book is a step‑by‑step guide to both embroidery and tapestry weaving, filled with detailed drawings and practical tips. Readers learn how to choose materials, develop motifs, and translate sketches into finished panels, all while avoiding the “technical twaddle” that can stifle creativity. Whether a newcomer eager to try a simple stitch or an experienced hand looking to refine pattern development, the text offers a solid foundation for producing work that balances tradition with personal expression.

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Details

Language

en

Duration

~4 hours (271K characters)

Publisher of text edition

Project Gutenberg

Release date

2007-01-16

Rights

Public domain in the USA.

About the author

GC

Grace Christie

1872–1953

An influential figure in the Arts and Crafts movement, she helped shape how embroidery was taught, practiced, and studied in Britain. Her work joined hands-on making with serious historical research, especially in the study of medieval English embroidery.

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