
audiobook
by active 17th century An Collins
The Augustan Reprint Society
INTRODUCTION
NOTES TO THE INTRODUCTION
Divine SONGS and MEDITACIONS
To the Reader
The Preface.
A Song expressing their happinesse who have Communion with Christ.
A Song shewing the Mercies of God to his people, by interlacing cordiall Comforts with fatherly Chastisments.
A Song declaring that a Christian may finde tru Love only where tru Grace is.
Another Song exciting to spirituall Mirth.
This work offers a glimpse into a solitary 17th‑century voice that survived through a chain of collectors and rare‑book enthusiasts. Its verses combine devotional fervor with a candid diary‑like record of a life marked by chronic illness, providing a personal window into the spiritual concerns of the era. Though the poet modestly describes herself as “unskilful,” the collection’s varied meters and sincere tone have drawn the attention of scholars who value its historical rarity as much as its emotional honesty.
Listeners will encounter poems that prioritize heartfelt expression over polished form, each line reflecting a determined effort to occupy a restless mind with devotion. The author’s reflections on faith, mortality, and everyday struggles create an intimate atmosphere that feels both timeless and distinctly rooted in the early modern period. This modest yet compelling testimony invites anyone curious about early English spirituality and the quietly resilient women who recorded it.
Language
en
Duration
~59 minutes (57K characters)
Series
Augustan Reprint Society, publication number 94
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Joseph Cooper, Stephen Hutcheson, and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
Oct 27, 2011
Rights
Public domain in the USA.
A shadowy voice from seventeenth-century England, this poet is known for a single surviving book that blends religious verse with prose meditation. That rarity gives her work an unusual power: intimate, reflective, and still distinctive centuries later.
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