
Produced by Ricardo F. Diogo, Rita Farinha and the Online
ALBERTO BRAGA - CONTOS D'ALDEIA
COMPANHIA PORTUGUEZA EDITORA - PORTO—1916 - ALBERTO BRAGA - CONTOS D'ALDEIA
A MINHAS IRMÃS - A GUERRA
A VOLTA DAS ANDORINHAS
A SÉSTA DO AVÔ
O GALLO PRETO - (A JOÃO DE DEUS)
ESTÁ NO CÉO!
O RETRATO DOS PAES
O SERMÃO
In a quiet riverside village, twin watermills turn under the watchful eyes of two sixty‑year‑old widowers, lifelong friends whose rivalry is softened only by brotherly affection. Their world is framed by the slow flow of the river, the rustling oaks and the rhythmic clatter of the millstones, a place where seasons mark the rhythm of daily life.
Against this pastoral backdrop, the vigor of youth stirs. Simão, a strong‑handed miller’s son, and Margarida, the beautiful daughter of the neighboring mill, have grown up together, their bond shifting from childhood games to a tangled mix of admiration, teasing, and a growing, unspoken yearning. Their tender interactions are tinged with the expectations of a close‑knit community, where love and duty often wrestle for the heart’s attention.
Yet the tranquil valley cannot stay untouched by history. Rumors of the civil strife between the supporters of D. Pedro and D. Miguel drift in on messenger breezes, turning ordinary conversations into anxious whispers. As the village braces for the arrival of soldiers, the story gently unfolds the tension between personal desire and the looming demands of a world at war, inviting listeners to feel the pulse of an era where love, honor, and survival are in constant negotiation.
Language
pt
Duration
~2 hours (125K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Porto: Companhia Portugueza Editora 1916
Credits
Produced by Ricardo F. Diogo, Rita Farinha and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2007-05-23
Rights
Public domain in the USA.
Subjects
1851–1911
A Portuguese journalist and storyteller, he wrote with a clear, direct style that brought village life and everyday characters vividly to the page. His fiction and theater work helped preserve a grounded picture of Portuguese society at the turn of the twentieth century.
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