Comedias escogidas

audiobook

Comedias escogidas

by Leandro Fernández de Moratín, Molière

ES·~7 hours·7 chapters

Chapters

7 total
1

LEANDRO FERNÁNDEZ DE MORATÍN

30:44
2

DISCURSO PRELIMINAR

1:20:50
3

LA COMEDIA NUEVA

1:16:38
4

EL SÍ DE LAS NIÑAS

1:51:25
5

LA ESCUELA DE LOS MARIDOS

1:23:14
6

EL MÉDICO Á PALOS

52:04
7

ÍNDICE

0:47

Description

A lively portrait emerges of a playwright whose comedies were forged in the restless tides of late‑18th‑century Spain. Between secretarial posts, library duties, and countless journeys across Europe, his art grew from meticulous polishing rather than flamboyant inspiration. The introduction sketches his precarious fortunes, the patronage that both lifted and constrained him, and the practical wisdom that seeped into every line of dialogue.

Listeners will discover breezy scenes populated by ordinary citizens, rendered with a razor‑sharp sense of common‑sense humor and a subtle moral compass. The verses balance wit with a quiet observation of human folly, echoing the social shifts that surrounded their creator. As the pieces unfold, the careful craftsmanship and modest elegance invite you to savor a timeless slice of theatrical history, where laughter and insight walk hand in hand.

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Details

Language

es

Duration

~7 hours (418K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Ramon Pajares Box and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Biblioteca Virtual del Patrimonio Bibliográfico/Universidad de Cádiz.)

Release date

2019-12-15

Rights

Public domain in the USA.

About the authors

Leandro Fernández de Moratín

Leandro Fernández de Moratín

1760–1828

A sharp-eyed dramatist of Spain’s Enlightenment, he used comedy to challenge bad education, social pressure, and arranged marriage. Best known for El sí de las niñas, he wrote plays that are witty, humane, and still easy to connect with.

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Molière

Molière

1622–1673

A master of comedy and satire, this 17th-century playwright turned human weakness into some of the funniest and sharpest drama in French literature. His plays still feel lively today because they poke at vanity, hypocrisy, and self-deception with such clear-eyed wit.

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