Biographical Notices of the Portraits at Hinchingbrook

audiobook

Biographical Notices of the Portraits at Hinchingbrook

by Mary Louisa Boyle

EN·~4 hours·8 chapters

Chapters

8 total

BIOGRAPHICAL NOTICES OF THE Portraits at Hinchingbrook:

0:35

UPSTAIRS-CORRIDOR, STAIRCASE, AND ADJOINING ROOMS.

1:22:20

DRAWING ROOM.

1:01:36

MORNING ROOM.

24:09

CORRIDOR—DOWNSTAIRS.

15:44

SHIP ROOM.

1:51

DINING ROOM.

1:07:04

LORD SANDWICH’S ROOM.

17:09

Description

A charmingly intimate guide, this work walks listeners through the gallery of Hinchingbrook’s historic portraits, pairing each painted likeness with a concise, well‑researched biography. The author weaves together the sweeping events of English history with the quieter, domestic moments that shaped each figure’s life, from diplomatic missions to family ties and personal quirks. Readers will hear vivid sketches of notable nobles, their fashions, honors, and the colorful anecdotes that have survived in letters and memoirs.

Presented as a series of short notices, the collection balances scholarly detail with a conversational tone, making it easy to picture the subjects in their period attire and settings. While the early lives and public deeds of characters like the first Earl of Sandwich are explored, the narrative stays within the opening chapters, inviting curiosity without revealing later twists or conclusions. It’s an engaging audio companion for anyone fascinated by portraiture, lineage, and the human stories behind the canvas.

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Details

Language

en

Duration

~4 hours (259K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Fay Dunn and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

Sep 14, 2020

Rights

Public domain in the USA.

About the author

Mary Louisa Boyle

Mary Louisa Boyle

1810–1890

A lively memoirist and novelist from the Victorian world, remembered for her warm, observant writing and her close ties to major literary figures of her time. She moved comfortably between aristocratic society, the stage, and the book world, bringing all three into her work.

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