
Transcriber's Notes
PREFACE
SHORT HISTORY OF MUSIC IN ENGLAND - CHAPTER I MUSIC BEFORE AND DURING THE REFORMATION
CHAPTER II MUSIC BEFORE AND DURING THE REFORMATION—(continued)
CHAPTER III EARLY ENGLISH COMPOSERS - THOMAS TALLIS (OR TALLYS)
CHAPTER IV THE DECLINE OF ENGLISH MUSIC
CHAPTER V MUSICAL EDUCATION IN ENGLAND
CHAPTER VI PROGRESS OF ORCHESTRAL MUSIC
CHAPTER VII ORATORIO IN ENGLAND
CHAPTER VIII OPERA IN ENGLAND
A clear‑sighted survey traces the rise of English music from its lively medieval roots through the upheavals of the Reformation and into the flourishing of the Baroque and Romantic eras. Written for readers who may know little about the subject, the narrative blends social history with the stories of the composers who shaped the nation’s sound, all illustrated with period portraits that bring the past to life.
The book explores how itinerant minstrels once filled countryside fairs with song and dance, how the church both nurtured early sacred repertoire and later attempted to curb public performances, and how figures such as Thomas Tallis, Orlando Gibbons and Henry Purcell emerged from this turbulent backdrop. Later chapters follow the arrival of continental influences, the triumphs of Handel, the witty operettas of Sullivan, and the soaring late‑Romantic works of Elgar, offering a concise yet vivid picture of England’s musical evolution.
Language
en
Duration
~6 hours (376K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Simon Gardner, Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Jun 5, 2012
Rights
Public domain in the USA.

1858–1919
Known for light opera, ballet music, and a sure hand on the conductor’s podium, this English musician moved easily between composing and theatrical leadership. He helped shape late Victorian and Edwardian musical theater while also writing on the history of English music.
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