A Short History of English Music

audiobook

A Short History of English Music

by Ernest Ford

EN·~6 hours·13 chapters

Chapters

13 total

Transcriber's Notes

0:24

PREFACE

28:04

SHORT HISTORY OF MUSIC IN ENGLAND - CHAPTER I MUSIC BEFORE AND DURING THE REFORMATION

27:48

CHAPTER II MUSIC BEFORE AND DURING THE REFORMATION—(continued)

7:46

CHAPTER III EARLY ENGLISH COMPOSERS - THOMAS TALLIS (OR TALLYS)

28:41

CHAPTER IV THE DECLINE OF ENGLISH MUSIC

38:25

CHAPTER V MUSICAL EDUCATION IN ENGLAND

46:32

CHAPTER VI PROGRESS OF ORCHESTRAL MUSIC

37:29

CHAPTER VII ORATORIO IN ENGLAND

39:02

CHAPTER VIII OPERA IN ENGLAND

36:40

Description

A clear‑sighted survey traces the rise of English music from its lively medieval roots through the upheavals of the Reformation and into the flourishing of the Baroque and Romantic eras. Written for readers who may know little about the subject, the narrative blends social history with the stories of the composers who shaped the nation’s sound, all illustrated with period portraits that bring the past to life.

The book explores how itinerant minstrels once filled countryside fairs with song and dance, how the church both nurtured early sacred repertoire and later attempted to curb public performances, and how figures such as Thomas Tallis, Orlando Gibbons and Henry Purcell emerged from this turbulent backdrop. Later chapters follow the arrival of continental influences, the triumphs of Handel, the witty operettas of Sullivan, and the soaring late‑Romantic works of Elgar, offering a concise yet vivid picture of England’s musical evolution.

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Details

Language

en

Duration

~6 hours (376K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Simon Gardner, Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)

Release date

Jun 5, 2012

Rights

Public domain in the USA.

About the author

Ernest Ford

Ernest Ford

1858–1919

Known for light opera, ballet music, and a sure hand on the conductor’s podium, this English musician moved easily between composing and theatrical leadership. He helped shape late Victorian and Edwardian musical theater while also writing on the history of English music.

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