Mémoires de Hector Berlioz

audiobook

Mémoires de Hector Berlioz

by Hector Berlioz

FR·~22 hours·10 chapters

Chapters

10 total
1

NOUVELLE ÉDITION

0:01
2

BIBLIOTHÈQUE CONTEMPORAINE

0:01
3

MÉMOIRES

0:01
4

HECTOR BERLIOZ

0:29
5

TABLE

15:12
6

HECTOR BERLIOZ - I

4:31:24
7

VOYAGE EN ITALIE - XXXII

5:14:15
8

HECTOR BERLIOZ - II

5:06:05
9

DEUXIÈME VOYAGE EN ALLEMAGNE

3:38:40
10

SUITE DU VOYAGE EN RUSSIE

3:29:49

Description

A vivid, first‑person portrait of a restless young composer, the memoir opens with Berlioz’s upbringing in the remote village of Saint‑André and his early fascination with music that clashed with his family’s expectations. He recounts the relentless push‑and‑pull between his father’s wishes, his own medical studies, and the irresistible pull of the piano and composition. The narrative captures his first attempts at writing operas and masses, the sting of rejection, and the exhilarating moments when his work finally found a modest audience in Parisian churches.

The second part follows his tumultuous years at the Conservatoire, where fierce rivalries with teachers and peers sharpened his resolve. He describes the thrill of hearing Beethoven’s symphonies, the influence of Rossini’s operas, and the daring launch of his own “Symphonie fantastique,” which sparked both scandal and admiration. Finally, the memoir carries him to his first Italian voyage, a whirlwind of storm‑tossed seas, encounters with the Academy in Rome, and the intoxicating blend of art, culture, and the youthful optimism that would shape his musical destiny.

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Details

Full title

Mémoires de Hector Berlioz comprenant ses voyages en Italie, en Allemagne, en Russie et en Angleterre, 1803-1865

Language

fr

Duration

~22 hours (1282K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2008-08-20

Rights

Public domain in the USA.

About the author

Hector Berlioz

Hector Berlioz

1803–1869

A fiery Romantic composer, conductor, and critic, he changed what an orchestra could sound like. Best known for Symphonie fantastique, he brought vivid storytelling, daring color, and big emotions into 19th-century music.

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