
E-text prepared by D Alexander and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana)
INDIANAPOLIS THE BOBBS-MERRILL COMPANY PUBLISHERS
YOUNG WALLINGFORD - CHAPTER I - WHEREIN JONATHAN REUBEN WIX BEGINS TO THINK
CHAPTER II - THE BLACK-EYED YOUNG MAN DISCOURSES OF EASY MONEY
CHAPTER III - YOUNG WIX TAKES A HAND IN THE BLACK-EYED ONE’S GAME
CHAPTER IV - WHICH SHOWS THE EASIEST WAY TO MAKE A BUCKET-SHOP PAY
CHAPTER V - JONATHAN REUBEN WIX CASTS ASIDE HIS ONLY HANDICAP AND DISAPPEARS FOR EVER
CHAPTER VI - J. RUFUS PROVES A SAD, SAD DISAPPOINTMENT TO SOME CLEVER PEOPLE
CHAPTER VII - WALLINGFORD HELPS IN A GREEN-GOODS PLAYLET PURELY FOR ACCOMMODATION
CHAPTER VIII - A THIRD ARM TO THE OLD-FASHIONED DOUBLE CROSS
A lively, big‑hearted youngster named Jonathan Reuben Wix rolls a winning die in a bustling café and immediately treats the street as his playground. His flamboyant spending sprees—champagne, theater tickets, and cab rides—contrast sharply with the quiet, methodical bank clerk Clifford Gilman, who keeps his money in neat little boxes. When Gilman quietly offers Wix a modest sum and a tempting proposition, the two unlikely companions set off on a venture that promises more than a simple trip.
Together they tumble into a series of bright, comedic schemes that span everything from real‑estate speculation to art‑world capers, all while navigating the quirks of early twentieth‑century America. The narrative balances witty dialogue with a slice‑of‑life feel, letting listeners watch a charismatic drifter learn the value of clever partnership. It’s a brisk, entertaining ride that captures the optimism and mischief of youthful ambition.
Language
en
Duration
~6 hours (369K characters)
Publisher of text edition
Project Gutenberg
Release date
2010-06-19
Rights
Public domain in the USA.

1869–1924
Best remembered for the wildly popular Get-Rich-Quick Wallingford stories, he moved easily from newspaper work into fiction, theater, and the early film world. His writing has a brisk, satirical energy that captures the hustle and ambition of turn-of-the-century America.
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