
The Ball of Fire
ILLUSTRATIONS
CHAPTER I NO PLACE FOR SENTIMENT
CHAPTER II “WHY?”
CHAPTER III THE CHANGE IN THE RECTOR’S EYES
CHAPTER IV TOO MANY MEN
CHAPTER V EDWARD E. ALLISON TAKES A VACATION
CHAPTER VI THE IMPULSIVE YOUNG MAN FROM HOME
CHAPTER VII THEY HAD ALREADY SPOILED HER!
CHAPTER VIII STILL PIECING OUT THE WORLD
A hush settles over the stone‑walled Market Square Church as the organ swells and fades, only to be broken by the creak of the vestry door. Into this solemn setting steps Gail Sargent, a bright‑eyed, brown‑haired young woman whose shy smile and confident voice draw the attention of the assembled men. Introduced by her uncle Jim, she becomes the unexpected focal point of a gathering that feels more like a council of elders than a place of worship.
The men, ranging from the scholarly rector to the silver‑bearded Rufus Manning, are deep in a heated discussion about the finances needed to raise a new cathedral. Gail, unaccustomed to such male‑dominated deliberations, injects sharp wit and a hint of defiance, challenging the notion that sentiment has no place in their plans. As negotiations swirl around property values and future profits, a subtle chemistry begins to spark, promising both conflict and intrigue for the days ahead.
Language
en
Duration
~9 hours (567K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Richard Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-07-15
Rights
Public domain in the USA.

1869–1924
Best remembered for the wildly popular Get-Rich-Quick Wallingford stories, he moved easily from newspaper work into fiction, theater, and the early film world. His writing has a brisk, satirical energy that captures the hustle and ambition of turn-of-the-century America.
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1887–1961
An American writer and filmmaker, she published fiction, worked in early screenwriting, and often collaborated with her husband, George Randolph Chester. Her career moved between novels, magazine writing, and silent-era film work in the first half of the 20th century.
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