
THE ARTISTIC CRAFTS SERIES - OF TECHNICAL HANDBOOKS - EDITED BY W. R. LETHABY - WOOD-CARVING: DESIGN AND - WORKMANSHIP
ARTISTIC CRAFTS SERIES OF - TECHNICAL HANDBOOKS. - Edited by W. R. Lethaby
WOOD-CARVING - DESIGN AND - WORKMANSHIP - BY GEORGE JACK - WITH - DRAWINGS BY THE AUTHOR - AND OTHER ILLUSTRATIONS - NEW YORK - D. APPLETON AND COMPANY - 1903
Copyright, 1903, - By D. Appleton and Company - All rights reserved - Published October, 1903
EDITOR'S PREFACE
AUTHOR'S PREFACE
CHAPTER I - PREAMBLE
CHAPTER II - TOOLS
CHAPTER III - SHARPENING-STONES—MALLET AND BENCH
CHAPTER IV - WOODS USED FOR CARVING
This handbook offers a clear, hands‑on introduction to wood‑carving that balances practical skill with thoughtful design. Drawing on the author’s workshop experience, it walks readers through selecting suitable timber, preparing tools, and shaping forms, all illustrated with detailed drawings that make each step easy to follow. The text emphasizes that good ornamentation arises from the marriage of material choice, precise workmanship, and purposeful design, rather than from decorative flourishes alone.
Positioned within a broader series on artistic crafts, the book serves both newcomers and seasoned makers who want to deepen their understanding of the craft’s aesthetic principles. It explores how to translate natural motifs and architectural ideas into carvings that feel both functional and expressive. With its straightforward language and rich visual guidance, the volume invites listeners to see wood‑carving as a dialogue between the hand, the eye, and the tool, encouraging a sustainable, rewarding practice.
Language
en
Duration
~3 hours (230K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Ross Wilburn, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2007-07-19
Rights
Public domain in the USA.
Subjects

Known for practical books on design and craftsmanship, this British architect and designer wrote in a clear, hands-on way that made traditional arts feel approachable. His work sits at the crossroads of architecture, furniture, and decorative craft.
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